Word: ne
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Dates: during 1970-1979
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Judged by Le Misanthrope, the engagements should be a success for France's mission civilisatrice. In telling the story of Alceste, a man torn between hatred of the world's deceit and flattery and his own love for a deceitful, flattering widow named Célimène, Molière pressed poetic comedy and satiric wit to the edge of tears. Le Misanthrope is his bittersweet masterpiece. In a comedy of manners, Alceste's notion of telling the truth himself on all occasions and correcting the chicanery of the age clearly marks him as a crackpot...
...place. It is a dour period piece about miscegenation in the South Seas more than a half-century ago, in which the daughter (Mia Farrow) of Pago Pago's American military governor (Jason Robards) falls for the proud native prince of a nearby is land (Dayton Ka'ne, winner of a talent search in which everyone should have looked harder). The only hope for Hurricane would have been turning it into a send-up of the old tropical lagoony genre...
Still, all this has a bit more energy than the affair between Farrow and Ka'ne, who after endless delays are mostly directed to nibble each other's necks and take decorously clothed swims and beach walks to demonstrate their affection. Swedish Film Maker Jan Troell, who has made terse, beautiful movies (The Emigrants, The New Land), here seems merely distant and befuddled, as does his usually superb cameraman, Sven Nykvist. The poorly shot concluding hurricane is supposed to be a sort of heavenly analogy to human passions we have been witnessing at play. In the circumstances...
...they both want to be in love. There are obstacles along the path to a happy ending. Rosemarie's stern mom (Viveca Lindfors) feels that deaf people should stick to their own kind. Drew must act as keeper for both his gambling dad (Alex Rocco) and his ne'er-do-well kid brother (Barry Miller). Meanwhile, agents are not breaking down the doors to offer the young lovers performing contracts...
...this country, everyone is a cousin of sorts. There are 6,000 Moutons, descendants of a Salvador and Jean Diogène Mouton, whose family tree is more like a woods. And, of course, there is the lazily rounded French patois that holds them all together (and which Rushton might have discussed as a vital ingredient of the culture, instead of relegating it to an appendix...