Word: ne
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Dates: during 1970-1979
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...claims to be the youngest woman chef running a restaurant in France, the Olympe in Paris, prides herself on her salmon steaks cooked on a bed of sorrel en papillotes. And then there is Yvonne Soliva, of the Moulin de Tante Yvonne in Bouches-du-Rhône, one of whose favorite dishes is ragout of thrush (18 birds for six people). First catch the thrush...
...play's narrator and the images materialize from his harrowing memories. He is Tennessee Williams--ne Thomas Lanier--in the shadow of the footlights. Williams had a long-distance father, moved from the deep South to St. Louis and spent three miserable years in a shoe warehouse, presumably writing poems on shoe boxes--just like his character Tom. But Tom is more than the stage presence of the author. He is a voice, a specter in his own dreams, giving "reality in the form of illusion" but always running to the illusionary happiness of movies and liquor until he breaks...
...ne puis, prince ne daigne. Rohan suis"- "King I cannot be, to be prince I disdain. I am Rohan." This sublimely arrogant ancien régime motto suggests Bruce's transactions with the artists he knew in Paris. The main influences on him were Cézanne and, above all, Matisse (Bruce once lent Picasso money, but refused to take his art seriously: it was too showy and volatile for him.) His homages to Matisse never ended. Matisse's insistence on achieving structure through local color contrast lies behind Bruce's post-cubist compositions...
When Alceste confronts the thinnest skin in the world, the proud author of a new and awful sonnet-he eventually pronounces its creation a "hangable" offense-he does not seem unkind. Scolding Célimène incessantly about her other suitors, he conveys not only jealousy, but some idealistic, crazy, husbandly delusion that she can be transformed into the only perfect being in the world...
...Alceste and Célimène, François Beaulieu and Béatrice Agenin project modern, realistic feeling at the expense of classical eloquence. During his tirades against mankind, Beaulieu runs through the Alexandrines and casts caesuras to the winds. But he builds sympathy by the low-key, unstylized way he plays the love scenes. Agenin, too, is better at intimacy than poetic elegance. She is a wonder, though, at dispensing petits fours and nasty court gossip to a fine pair of dandies whose wigs make them resemble Bert Lahr playing the Cowardly Lion. When she leans back...