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Maybe, but the staff utterly misses the point of the NEA controversy. The real questions go something like this: Why did Mapplethorpe, ndependently wealthy, free-spending and high-living, need an NEA grant in the first place? And, should taxpayers' money fund projects that taxpayers don't like or want...

Author: By Matthew J. Mcdonald, | Title: Mozart Didn't Need It | 3/12/1991 | See Source »

WOULD the National Endowment for the Arts (NEA) fund Mozart? Given the precedent of the Mapplethorpe-Helms conflagration, we cannot be sure. Would Tipper Gore push for labeling copies of Mozart canons...

Author: NO WRITER ATTRIBUTED | Title: Would the NEA Fund Mozart? | 3/12/1991 | See Source »

Visible at Harvard attests to the capacity of universities to provide alternatives to mainstream galleries and museums. The exhibits of actual works, a feature of museums and galleries, usually depend on the NEA and/or corporations to cover enormous insurance and shipping costs. The use of two slide projectors for Visible is a creative solution to the problem that the university is not free from the political/economic constraints of the Reagan-Bush era. Many of the individuals who participated in this project did so because its organization and format are a critique of "blockbuster exhibitions" often compromised in terms of content...

Author: NO WRITER ATTRIBUTED | Title: Re-Viewing Art is a Political Act | 2/22/1991 | See Source »

...NEA controversy began last year when Sen. Jesse Helms (R-N.C.) and other conservatives in Congress objected to NEA funding of works they considered obscene...

Author: NO WRITER ATTRIBUTED | Title: NEA Rejects Grant for Boston Exhibit | 10/23/1990 | See Source »

Last week, a House compromise that would have allowed the NEA to award grants without content restrictions was derailed by the Senate Appropriations Committee, which reinstituted an anti-obscenity pledge that artists must sign before they receive grant money...

Author: NO WRITER ATTRIBUTED | Title: NEA Rejects Grant for Boston Exhibit | 10/23/1990 | See Source »

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