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...race to get on the right side of the educational fence has also been accelerated by pressure from teacher lobbying groups, especially the National Educational Association (NEA), which endorsed Mondale last fall. The NEA endorsement is more than a more stamp of approval for Mondale's platform: it carries with it the promise of campaign workers nationwide and a organization that rivals the AFL-CIO, another group that has backed the Minnesotan...

Author: By Michael W. Hirschorn, | Title: Education and Big Politics | 2/15/1984 | See Source »

Shaw added, however, that the American NEA, whose budget was recently cut in half, faces worse fiscal problems. "Mr. Reagan is ahead of Mrs. Thatcher in these things." Shaw said...

Author: By Daniel J. Jones, | Title: Shaw on the Arts | 12/1/1981 | See Source »

Shaw added that only with financial support from public organizations like the ACGB and its American counterpart, the National Endowment for the Arts, (NEA) can art "be made effective outside the clique of the learned and the wealthy...

Author: By Daniel J. Jones, | Title: Shaw on the Arts | 12/1/1981 | See Source »

...Shaw, is one of the most powerful, most passionately scrutinized arts administrators in the world. Sir Roy, who will speak on "Politics and Policies in the Arts" tonight at the Kennedy School, wields a budget of 80 million pounds (roughly $145 million)--about 25 per cent more than the NEA's budget in a country with less than a sixth of our population...

Author: By David B. Edelstein, | Title: Sir Roy Bankrolls the Arts or Why Britishers Saw Nicholas Nickleby for $8 | 11/30/1981 | See Source »

...though. With the arrival of the Reagan and Thatcher administrations, cuts in both arts budgets loom large, along with, in Britain, calls from conservative politicians to move arts patronage back into the private sector. (In this country, Office of Management and Budget Director David Stockman has daintily halved the NEA's budget.) As British culture becomes more and more commercialized and government resources dwindle, British artists and administrators will closely examine the arts scene in America, to see what happens to a culture overwhelmingly dependent on the private sector--corporate grants, individual contributions and ticket sales--for its support. Presumably...

Author: By David B. Edelstein, | Title: Sir Roy Bankrolls the Arts or Why Britishers Saw Nicholas Nickleby for $8 | 11/30/1981 | See Source »

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