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Albert Brodsky (Ryan O'Neal) and Lucy Van Patten (Shelley Long) "meet cute," in the traditional manner of romantic comedies. He is a film scholar hitchhiking to a job at UCLA. She's an aspiring writer who picks Albert up and marries him four days later. Little Casey (played by Drew Barrymore when she reaches dialogue age) and the career moves quickly follow. The film is at its knowing, uncynical best as it observes Albert parlaying his knowledge of movie trivia into a career as an authentic au-teur-especially of his own misery. Lucy, the girl...

Author: /time Magazine | Title: COUNTRY: From Heartland to Heartthrobs | 10/8/1984 | See Source »

Some kid pitcher from Evansville notched the victory, O'Neal I think. Tommy Brookens hit a solo shot, and Lance Parrish drove in two runs. Final: tigers 3-0 over the Brewers...

Author: By Andy Doctoroff, SPECIAL TO THE CRIMSON | Title: Joy in Motown | 9/20/1984 | See Source »

...Neal I. Koblitz '69, a mathematician at the University of Washington, donates the royalties he receives from his books to a fund he and his wife set up to aid women scientists in Vietnam. Koblitz's Harvard classmate, Michael K. Fenollosa '69, now an assistant vice-president at Boston's Shawmut Bank, writes in recent Class Record Book: "Needless to say, and I suppose, somewhat regretfully. I have become a political conservative (it seems hard to believe that I once voted for George McGovern for President.)" The two men represent two of the many different solutions to the dilemma that...

Author: By Mark E. Feinberg, | Title: Idealists meet the real world | 6/7/1984 | See Source »

...specifically sparkled in the second period, robbing Minnesota's Neal Broten from point-blank range and snuffing Keith Acton from just outside the crease...

Author: NO WRITER ATTRIBUTED | Title: Scoreboard | 5/2/1984 | See Source »

...does not awaken the denunciatory spirit. Like others of its ilk it is solidly grounded in three great traditions of low comedy: it is cheerfully contemptuous of authority; it is leeringly respectful of the shapely female form; and, above all, its director, Hugh Wilson (who wrote the film with Neal Israel and Pat Proft), understands that you can go a long way in comedy on sheer energy. His picture seethes like a study hall when the teacher has stepped out of the room. Everywhere you look someone is making funny noises or thinking about wrecking a car. There is even...

Author: /time Magazine | Title: Cinema: The Greening of the Box Office | 4/23/1984 | See Source »

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