Word: neale
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Dates: during 1970-1979
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...Just as you said it was important for blacks to have the some cultural whacks as a white macho, wouldn't you want, say, Ron O'Neal to have the same kind of political voice as John Wayne, by the same reasoning...
Priest (Ron O'Neal) is a pusher and user of cocaine. He dresses stylishly, has lots of girls, lives high and wants out, for vague reasons that have mostly to do with plot. If Priest did not want out, then the big dealers would not be after him, the cops would not be hassling him, and there would be one less dreary, sleazy movie about high jinks and low life in the ghetto...
...acting is erratic. Ron O'Neal is a handsome man with a commanding presence, but his moments of indecision are more blank than tortured. Julius W. Harris as Scatter acts earnest in his easy part. But Carl Lee, as Eddie, earns unqualified approval. With a lean and scowling face and a voice which grates with nurtured agony, his measured walk and languid vocals convince us immediately. When he says that the cocaine trade was the only route open to a bright young black like him, we believe...
...interview with Ron O'Neal will appear in the next Crimson...
...crews helping the Stones road crew set up the stage, and the Garden's assortment of janitorial personnel. The noises are functional, moving equipment, the distant sounds of machinery, the shouted questions of the cleaning women in the first balcony, the steady cross-Garden shouts from house manager Harold Neal ("He can be a real prick," I'm told) to the crew chiefs...