Word: neale
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When Shaquille O'Neal was little -- 6 ft. 11 in. or so -- he sneaked through a back door of the HemisFair Arena in San Antonio, Texas, to get the autograph of his favorite player, center Hakeem ("the Dream") Olajuwon of the Houston Rockets. It was the first time that the 16-year-old O'Neal had met Olajuwon, who was 26 at the time. "I was just a kid then," says Shaq, "with no money, no clothes, no car, no nothing." Olajuwon obliged, as he almost always does, and Shaq has kept the autograph to this...
...also put the Magic in a deep hole out of which no team has ever climbed -- coming back to win the N.B.A. Finals after losing the first two games on its home court. The O in O-rena is supposed to stand for Orlando, or at least O'Neal. Last week it stood for both Olajuwon and the number of Magic victories...
...laser lights, eardrum-pounding music and halftime motocrosses that are part of the show in Orlando. The Dream vs. Shaq is the present vs. the future, bop vs. rap, ballet vs. the World Wrestling Federation, humility vs. bravado, Mecca vs. Madison Avenue. It is also a game, as O'Neal...
Despite the rivalry, Olajuwon and O'Neal maintain a mutual-admiration society that has almost nothing to do with the fact that they share the same agent (Leonard Armato). "Hakeem is the best center in the league," says O'Neal. "Shaquille is in a league by himself," says Olajuwon. As far as endorsements are concerned, O'Neal is in a league with only Michael Jordan. Olajuwon, on the other hand, is still waiting to be discovered. Shaq does Pepsi; Hakeem does Oshman's Sporting Goods in Houston...
...Bruce Nauman exhibition was co-curated by Neal Benezra of the Hirshhorn Museum and Kathy Halbreich of the Walker Art Center. Although Nauman appears as his own subject in a number of his works, the clown in Clown Torture is not the artist, as Hughes wrote. Also, the sculpture From Hand to Mouth, a part of the Hirshhorn's collection, is not a cast of body parts of the artist but of his first wife. And finally, the parallel between that sculpture and Duchamp's With My Tongue in My Cheek is noted in Benezra's catalog essay, though...