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...third renaissance was the Black Arts Movement, which extended from the mid-'60s to the early '70s. Defining itself against the Harlem Renaissance and deeply rooted in black cultural nationalism, the Black Arts writers imagined themselves as the artistic wing of the Black Power movement. Amiri Baraka, Larry Neal and Sonia Sanchez viewed black art as a matter less of aesthetics than of protest; its function was to serve the political liberation of black people from white racism. Erected on a shifting foundation of revolutionary politics, this "renaissance" was the most short-lived of all. By 1975, with the Black...

Author: /time Magazine | Title: Black Creativity: on the Cutting Edge | 10/10/1994 | See Source »

...Stays in the Picture (Hyperion; 412 pages; $24.95) is an NC-17 tale of mob lawyers, studio reptiles, coke dealers, starlets, domineering directors and the fast-talking operator at the center of it all. Aside from taking a few swipes at Ryan O'Neal, Francis Ford Coppola and Sharon Stone, Evans mostly tells stories on himself, charting his rise, fall and struggle to rebound with a keen staccato style usually found in hard-boiled mysteries...

Author: /time Magazine | Title: BOOKS: Bio Noir | 9/5/1994 | See Source »

...third new Literature and Arts course willbe B-33, "Frank Lloyd Wright and ModernArchitecture," taught by Emmet Blakeney GleasonProfessor of Fine Arts Neal Levine...

Author: By G. WILLIAM Winborn, | Title: More New Cores In Store | 7/19/1994 | See Source »

...blow-dried telegenic kind; burly, raspy-voiced Dan Rostenkowski remained a backroom dealmaker to the bitter end. He won vast respect as the Congressman who could + massage the tough bills -- tax reform, maybe health care -- into literally passable form. But, says Chicago political columnist Steve Neal, "he was caught in a sort of time warp," and he is under investigation for allegedly taking perks that were common in the Chicago wards of the 1950s, and even in Congress when he arrived there 35 years ago, but are now forbidden. And even though he angrily insists he is innocent, the session...

Author: /time Magazine | Title: Dealmaker's Downfall | 6/6/1994 | See Source »

...person who wins is always the better person. "But there is no moral in real sports," Sarris says. "Somebody wins, and somebody loses, and that's it. I watch all kinds of sports, but as a sport, not as a morality tale. I don't think Shaq O'Neal is a better human being than the players he jumps over. Most people lose. That doesn't make them any less human." And it's precisely that humanness that the new sports movies, with their pat victories and their egregious ethnic stereotypes, are incapable of exploring...

Author: /time Magazine | Title: CINEMA: Nice Guys Finish First | 4/11/1994 | See Source »

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