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...playing a sweet young thing opposite Comedian John Ritter in this year's Hero at Large, sultry Anne Archer says she is sinking her teeth into a "character with bite." For Green Ice, a film about murder in the emerald trade that pits her and Ryan O'Neal against Villain Omar Sharif, Archer had to master a loaded gun. "I did well," she laughs. "I learned to hold my right wrist with my left hand, bring the pistol up and shoot right away. My teacher was surprised." And doubtless gave her a blank look...

Author: /time Magazine | Title: People, May 26, 1980 | 5/26/1980 | See Source »

...movie, Jenny Cavilleri is grafted onto her. She knows this. Yet she can't understand why people "in the most obscure corners of the globe" come up to her in the street and relate to her as the baker's daughter from Providence who died in Ryan O'Neal's arms...

Author: By Suzanne R. Spring, | Title: The Importance of Being Ali | 5/21/1980 | See Source »

...Neal A. Levine, head tutor in the department, says students are often assigned to individual tutorials, adding that the department encourages them...

Author: By Grace H. Freedman, | Title: A Major By Any Other Name | 4/28/1980 | See Source »

...appearing together in this comedy about sexual discovery at summer camp, McNichol and O'Neal demand that audiences compare them. Both actresses are at a transition point, just past their mid-teens, and both have well-tailored parts. McNichol plays a tomboy on the brink of womanhood-a character patterned after her role of Buddy on TV's Family. O'Neal is a precocious rich girl who seems designed to resemble her public persona as Ryan's daughter. In different ways, each performance is fascinating. McNichol, who has had little big-screen experience (The End), proves...

Author: /time Magazine | Title: Cinema: Growing Up | 3/31/1980 | See Source »

...tone is confused and predictable: lame slapstick gags (including the inevitable food fight), sentimental bromides about love, and deadly serious (if inexplicit) sex scenes are thrown together without transitions. Even the heroines' slowly developing friendship is sketchily written; it seems to happen offscreen. While McNichol and O'Neal always command attention, the drama they create has less to do with Little Darlings than with the intriguing vicissitudes of show business careers...

Author: /time Magazine | Title: Cinema: Growing Up | 3/31/1980 | See Source »

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