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Dubin is ultimately a coward--one more sympathetic to his plight (and nearer his age) might call him very human?--but in the end the book is wearing. He obviously sees himself as likable (as does Malamud), but it becomes harder and harder to understand why. The problem is that the book becomes too much like Dubin--one of those people who draw you into their lives with the message, "I can change, I want to change, all I need is for you to believe in me, love me and I will change." And it ends with Dubin sneaking...

Author: By Susanna Rodell, | Title: Nothing Happened | 3/6/1979 | See Source »

...Mardi Gras Day? One by one the parade dates came around and the floats did not roll. The few that did were forced to move to Kenner or some other shopping-center suburb, since Morial could not guarantee order in the downtown area. As Mardi Gras Day drew nearer, public support for the police waned, down from 67% in a local television poll two weeks ago to 17% last week...

Author: /time Magazine | Title: Nation: Mammon Conquers Bacchus | 3/5/1979 | See Source »

...unique style and may inspire some readers to emulate his practice of stalking the wilds to get close to his subjects. But not too close. One of Loates' grizzly bears is lifelike enough on the printed page; after seeing it, few would need to get any nearer...

Author: /time Magazine | Title: Books: A Library of Christmas Gifts | 12/11/1978 | See Source »

...dreaming mind more accessible, vivid and poignant than any other painter. "If a work of art is to be truly immortal," he explained, "it must pass quite beyond the limits of the human world, without any sign of common sense or logic. In this way the work will draw nearer to dream and to the mind of a child." The tilted, exaggerated perspectives of De Chirico's pre-1920 paintings, their dry meridional light (he could extract more mystery from the harsh hour of noon than most people could find in midnight) and their sense of theatrical expectation, like...

Author: /time Magazine | Title: Art: The Metaphysician's Last Exit | 12/4/1978 | See Source »

...forth. Blatant mismanagement gratly contributed to the city's problems. But the main feature of the crisis was New York's scuba-diving tax base, resulting from the flight of industrial capital. Companies fled for many reasons, ranging from the ones which relocated in Stamford, Connecticut to be nearer their chief executives' homes, to the ones that went to Texas to avoid unions. But the tone was set by the bankers and brokers, who in effect redlined the Graybelt...

Author: By Tom Blanton and Alexandra D. Korry, S | Title: Yore Cheatin' Heart | 10/17/1978 | See Source »

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