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...different, but these old Aussies with their Scottish, Irish and English accents are familiar), it is because + David Malouf writes about his historical compatriots as if they had never left the British Isles. Their bodies may be in the boundless Down Under, but their heads are still full of neat patches of sod, heather and greensward. Not to mention the God of their fathers, who blesses the seeding of new continents. The dangers of cultural crossings are unavoidable, as Malouf's title suggests. Fairley, a white man with Aboriginal ways, represents a primitive immigrant's worst confusion...

Author: /time Magazine | Title: THE WILD MAN WITHIN | 7/21/2008 | See Source »

...Miro's power of recall as much as anything else that caused the Surrealists to adopt him. His art seemed to open a direct line to the repossession of childhood through unedited memory. His own habits consorted oddly with the Surrealists'. He was shy, abstemious, almost obsessively neat and faithful to his wife. But he was the purest dreamer in Paris, and they needed him. Miro had none of the Surrealists' political interests; the closest thing to a political painting he ever produced was a highly abstracted comic figure of a horse-policeman, with one red hand, presumably imbrued with...

Author: /time Magazine | Title: THE PUREST DREAMER IN PARIS | 7/21/2008 | See Source »

...explore all the golden sparks of our souls.'' The Hunter (Catalan Landscape), 1923-24, is full of such sparks, starting with the figure of the hunter himself, with his floppy cap -- the traditional barretina, which is to Catalunya roughly what Stetsons are to Texas -- and his heart, burning with neat little flames of patriotic ardor, somewhat resembling an anarchist's grenade about to go off. The letters that spell out SARD in Miro's loopy calligraphy refer, of course, to the traditional dance known as a sardana. Much barer works followed: the astonishing series of a dozen or so large...

Author: /time Magazine | Title: THE PUREST DREAMER IN PARIS | 7/21/2008 | See Source »

...IAMM is a gorgeous monument to the porous qualities of Islamic culture. With its elegant restaurant, storytelling sessions for children and calligraphy workshops, the museum is a neat expression of Islam Hadhari, or "civilizational Islam," Malaysian Prime Minister Abdullah Badawi's campaign to promote a moderate, modern version of the faith. Designed by Italian and Malaysian architects, the building is a bright, white and sleek place, with fountains, courtyards and a huge inverted gold-and-white dome hanging from the ceiling. "We wanted natural light, to make the place seem open and inviting, especially for non-Muslims," says de Guise...

Author: /time Magazine | Title: Religious Experience | 7/17/2008 | See Source »

...went, libation is just a small part of the broad festival of life, not the mind-altering prerequisite for a good time. The French don't wink like the English do at double-fisted drinking; they scorn people who lose control and get drunk in public. It's a neat argument. But it sounds a little Pollyannish now that France itself is grappling with widespread binge-drinking among its youth...

Author: /time Magazine | Title: French Combat Youth Binge-Drinking | 7/17/2008 | See Source »

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