Search Details

Word: neblett (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Panelists Jovanni R. Neblett '98, a member of the Black Students Association, and Julie C. Suk '97, managing editor of Perspective, said they supported affirmative action as a way to acknowledge and compensate for the difficult circumstances faced by minorities...

Author: By Andrew S. Chang, | Title: Students Debate Affirmative Action | 11/29/1995 | See Source »

...Mission Hill volunteer, BSA member Jiovanni R. Neblett '98, says that the unity within ethnic groups can galvanize students to action. "I think unity is the only way for people to solve problems. BSA is a great example of a vehicle where people use unity or strength to solve them," she says...

Author: By Jennifer . Lee, | Title: SERVING Diversity | 2/13/1995 | See Source »

...opening-night audience greeted all this with a mixed but emphatic response. There were cheers for the buoyant conducting of James Levine and the splendid ensemble of Soprano Carol Neblett Tenor William Lewis, Bass-Baritone José van Dam and Bass Paul Plishka. The applause for Ponnelle was mixed with full-throated booing sounds, heard often enough on the Continent but rarely at the Met. New York audiences like their Wagner to be conventional...

Author: /time Magazine | Title: Music: Anti-Wagner | 3/19/1979 | See Source »

Puccini: La Fanciulla del West (Soprano Carol Neblett, Tenor Placido Domingo, Baritone Sherrill Milnes; Chorus and Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, conductor; Deutsche Grammophon; 3 LPs). Fanciulla (1910) is a second-rate Italian opera comically posing as a shoot-'em-up thriller. Neblett makes a dramatic frontier heroine. Domingo, as her lover, sings everyone else under the bar, and Milnes is dashingly villainous. With Mehta in the saddle, chorus and orchestra ride smartly home...

Author: /time Magazine | Title: Music: Classic&Choice | 10/16/1978 | See Source »

...decibels. The soloists were a uniformly excellent band of singers-though how they fared dramatically depended on the whim of Director Jean-Pierre Ponnelle, former Wunderkind of European opera. Ponnelle attired his Electra in a red fright wig and managed the considerable feat of making Soprano Carol Neblett look less than gorgeous. Electra may be a mixed-up lady; she does not have to be a visual horror. As Idamante, Mezzo Maria Ewing sang with enough splendor to suggest that the gods had blessed her early and often. Unhappily, she had been garbed too boyishly for the youth capable...

Author: /time Magazine | Title: Music: The Seria Side of Opera | 10/17/1977 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | Next