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Although some went home with battle scars—such as the quarter-sized welt on the neck of Patrick T. Smith ’03—the men were not seething with contempt or full of revenge for the other team. “I think it was a good chance to interact with each other in a normal, non-academic setting,” said Heck, “and realize that despite our almost polar differences, we can still have a good time together...

Author: By Svetlana Y. Meyerzon and Samuel A. Winter, CRIMSON STAFF WRITERS | Title: Holy War | 4/18/2002 | See Source »

...CORRECTIVE MIRRORS Wider rearview and side mirrors, adjusted properly, can eliminate blind spots and compensate for decreased mobility in the neck...

Author: /time Magazine | Title: Families: Elder Drivers: Staying On the Road | 4/15/2002 | See Source »

...only event of the evening as far as some audience members (and the tapers up on the balcony) were concerned. Denson, who used to play sax with Lenny Kravitz but now fronts his own outfit, paced the stage like a panther, muscles bulging through his turtle-neck. Driven by the triple engine of his three percussionists, the energy was relentless, and Denson showed himself to be an impressive vocalist as well, barking and growling into the mic. Denson invited Franti and his MC Radio Active back to the stage for the high point of the evening, an extended jam that...

Author: By Andrew R. Iliff, CRIMSON STAFF WRITER | Title: Icicle Ball Warms Hearts and Minds | 4/12/2002 | See Source »

...Schulz leaps off the large wooden table into the arms of fellow TF David J. Morin and the two began a Charleston-like dance across the room as their students dance in their seats. Schulz executes a handstand as Morin grabs her legs. She wraps her feet around his neck and clasps his knees with her hands as he begans to spin quickly around to the swing music playing. When Jessica L. Ross ’03, the actress playing Schulz (who, like Morin, is a character based on a real Physics 16 TF of the same name), falls...

Author: By Stephanie E. Butler, CRIMSON STAFF WRITER | Title: Physics: The Musical! | 4/11/2002 | See Source »

Jenny Saville’s “Brace” (1999) is the most jarring and provocative of the works displayed. This enormous painting confronts the viewer with the looming image of what appears to be a grotesque mockery of the female form. With her painfully distended neck, puffy and veiled eyelids, stub-like nose and hairless head, it is difficult to determine whether her expression is one of miserable resignation or of defiant helplessness. Her androgynous body is bloated and motionless. Her paradoxically lush and painterly style enhances the painting’s macabre and moribund tone...

Author: By Sarah R. Lehrer-graiwer and Natalia H.J. Naish, CONTRIBUTING WRITERSS | Title: Go Figure: Contemporary Art's Dilemma | 3/22/2002 | See Source »

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