Search Details

Word: nee (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

With the college split up into many Houses, it is very unlikely that all one's friends will be in the same House. They are acattered; and, as a matter of fact, are so far apart that it is often necessary to make a special effort to nee them. There is no better time to do this than at meals when each has enough leisure to enjoy the other's company...

Author: NO WRITER ATTRIBUTED | Title: Inter-House Eating | 11/16/1931 | See Source »

Birth of a son in Shanghai last week to Edda, Countess Ciano (nee Mussolini) made // Duce for the first time a grandparent. Parent Count Ciano is the Italian consul at Shanghai. In Rome last week virile, vigorous Grandpa Mussolini...

Author: /time Magazine | Title: ITALY: Grandpapa | 10/12/1931 | See Source »

Born, To Edda, Countess Ciano (nee Mussolini), eldest child of Il Duce, and Count Galeazzo Ciano; a son; in Shanghai, China, where the Count is Italian Consul General...

Author: /time Magazine | Title: Milestones, Oct. 12, 1931 | 10/12/1931 | See Source »

...Author. Nee Beauchamp, "Elizabeth's" present name is Elizabeth Mary Countess Russell. Her first husband was German Count von Arnim; her second, the late John Francis Stanley Earl Russell, brother of Philosopher-Mathematician Bertrand (now Earl) Russell. Tiny, feminine, aristocratic. "Elizabeth" shrinks from publicity, has never written under her full name. Of her writing, reminiscent of well-bred but intelligent conversation, she says: "Like the Apostle Paul, I never think beforehand what I am to say." Other books: Elizabeth and Her German Garden, Expiation, The Enchanted April...

Author: /time Magazine | Title: Books: Dear Old Daddy | 6/1/1931 | See Source »

...significance of this criticism cannot be fully appreciated without contrasting it with that of the nee-classics which preceded it. Its emphasis had been on the plots of the plays, on their mechanical form. Coleridge, building on the rebellion of a number of eighteenth century predecessors as well as on the revolutionary Germans, transferred that emphasis to character analysis and to the organic or innate form of the plays, which (again I quote Mr. Raysor) "are historically associated with the rising romantic movement, because of the romantic love of personal individuality." No more illuminating example of this method of treatment...

Author: By P. G. Hoffman, | Title: The Great Romantic in the Role of Critic | 5/6/1931 | See Source »

Previous | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | Next