Word: negrohobia
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Dates: during 1990-1999
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...Negrophobia is a work of fiction, a product of the author's imagination. Any resemblance to any person, living or dead, is purely coincidental. Negrohobia is a work of fiction. Every word is true. Fuck you. The author...
...Negrohobia echoes Alice in Wonderland in places (one section is entitled "Down the Rabbitt's Rectum") and Dante's Inferno in others (Bubbles falls through the concentric underwater circles of the Harlem River which is populated with the floating corpses of pimps, numbers runners and crackheads). At times, the novel approaches the off-Kilter horror of those classic with its manic, madcap parade of freakish characters...
This intensity can be overwhelming. The novel is structured as a screenplay, and while this form is strikingly visual, it also makes for a jerky and disjointed narrative. At times, the story line seems about to collapse under the weight of all the explosive jokes and images. But what Negrohobia lacks in coherence it make up for in energy and inventiveness. James pulls no punches with his caricatures; both black and white concepts of race are adeptly, savagely satirized. He gets in especially sharp jabs at Black nationalism with his screeching Uncle H. Rap Remus, a preacher who leads...
...landscape where it has none. No longer the "blond bomb," her face retains no vestige of race--it is a "mesh of shadows." It is a test of James' power and versatility that he manages to sustain this visionary moment as well as the earlier absurdity. With Negrohobia, he has produced an assured and devestatingly funny first novel...
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