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...Skrowaczewski and Richard Wernick. In New York City in February, Elmar Oliveira gave the first performance of a lyrical new work by Hugh Aitken, while in Montreal, Stern contributed the North American premiere of French Composer Henri Dutilleux's impressionistic concerto. The same month Virtuoso Shlomo Mintz played Marc Neikrug's neoromantic concerto for the second time, having presented its world premiere in 1984. And this week Sergiu Luca will give the American premiere of William Bolcom's frisky new concerto in Pittsburgh (he introduced it in 1984 in Saarbrucken, West Germany...

Author: /time Magazine | Title: Music: Making the Strings Sing Again | 5/19/1986 | See Source »

...instrument, but also to bring forth some sense of the compositional beauty of the music at hand: Brahm's 'honorable mention' for the evening. Dynamic markings were tastefully observed; phrases were si un out to their intended length, and, quite often in dialogue with the cello, passed gracefully to Neikrug, who, taking the opportunity to be heard, broke the continuity with concerto-like attacks. Shure, true to form, continued his discreet nonentity...

Author: By Stephen E. Hefling, | Title: Discordant Trios | 7/21/1972 | See Source »

...Brahms--two for the standard combination (opp. 87 and 8), separated by the beautiful trio op. 114, in which the violin is replaced by a clarinet. The performances of the former works was atypical in one respect: violinist Roman Totenberg was the most prominent of the soloists. Cellist George Neikrug was, predictably, overpowered more often than not, while Leonard Shure unhappily assumed the role of piano accompanist, doing his best to stay out of the way through most of the evening...

Author: By Stephen E. Hefling, | Title: Discordant Trios | 7/21/1972 | See Source »

...suspects that Mr. Wright's laudable conscientiousness stems from the unfortunate paucity of masterworks for his instrument: those who have little often appreciate most. And one suspects further that Messrs. Totenberg, Neikrug, and Shure would render quite satisfactory performances of any of the 'best-loved' solo repertoire for their respective instruments--Rachmaninoff, Paganini, Bruch, Bloch, Tchaikovsky....Thus it seems that the relevant question to be considered by performers, critic, and audience alike, is: what, by comparison, is a Brahms trio...

Author: By Stephen E. Hefling, | Title: Discordant Trios | 7/21/1972 | See Source »

Burden Hall Concert Series. Leonard Shure (piano), Roman Totenberg (violin), George Neikrug (cello) and Harold Wright (clarinet) will perform three Brahms trios. July 17, 8:30 p.m., BURDEN HALL...

Author: NO WRITER ATTRIBUTED | Title: music | 7/14/1972 | See Source »

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