Search Details

Word: neither (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...Neither the Harvard Cooperative Society norCentral Copy use or sell recycled paper, he added...

Author: NO WRITER ATTRIBUTED | Title: Paper Glut Ups Costs To Recycle | 10/7/1989 | See Source »

...Neither McElroy nor Gingerich said their largeclasses necessarily stemmed from the small size...

Author: NO WRITER ATTRIBUTED | Title: Luminary Science Prof. Draws Few for Class | 10/3/1989 | See Source »

Hallelujah: Senior forwards Nick D'Onofrio (3 goals, 1 assist for 7 points) and Derek Mills (2-3-7) continue to lead Harvard in scoring. However, neither has tallied in the past two games...

Author: By Michael R. Grunwald, | Title: M. Booters to Take on UConn | 10/3/1989 | See Source »

Cubism has never gone soft; it remains, after 80 years, mysterious, challenging and resistant. Neither Picasso nor Braque said much to explain what they believed they were doing. Their Cubist work contains no ideological positions, dramatic subject matter or easy anecdotes. It disdains narrative and sentiment -- a severe test for Picasso, whose Blue and Rose periods had been full of both. (On the other hand, both men's paintings and collages were seeded with puns, sly allusions and In jokes: when the fragmentary writing on one of Picasso's paintings from 1912 declares that "Notre Avenir est dans...

Author: /time Magazine | Title: Art: The Adam and Eve of Modernism | 10/2/1989 | See Source »

...like Douglas Cooper thought -- Cubism aimed for "the solid tangible reality of things" by representing them from several angles. But "solid tangible reality" is hardly detectable in this show. You get an overwhelming sense of plastic energy from Picasso's drawing of volume, but that is a different matter. Neither he nor Braque was out to propose a systematic alternative to one-point perspective as the key to making things look real. There was no system to Cubist shuttling and lapping. Which does not mean it was anarchic, but rather that Picasso and Braque made up their coherences from passage...

Author: /time Magazine | Title: Art: The Adam and Eve of Modernism | 10/2/1989 | See Source »

Previous | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | Next