Word: neither
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Dates: during 1990-1999
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Dershowitz also claims that the CofCC is a "racist and anti-Semitic organization." The truth is that the CofCC is neither. The Council does indeed defend white European Americans, their civilization, faith and form of government, but it does not support the oppression or exploitation of any racial, ethnic or religious group...
...Rankings Irrelevant" (Dissent, Dec. 16): Nobody is asking Noah Oppenheim to "kowtow to the notion that minorities can only feel comfortable in each other's company." However, he should acknowledge that many people do feel uncomfortable when surrounded by others who do not look like they do. Clearly, neither I nor Oppenheim can ever understand how it feels to be black in a white majority. But let's turn the tables: If Oppenheim were a student at Howard instead of Harvard, how comfortable would he feel...
That's what's great about Boorman's stunningly realized black-and-white film and about Gleeson's performance, which, like Irish weather, goes from sunny to stormy without warning. Neither film nor actor tries to resolve Cahill's contradictions or anyone's feelings for him. He just-- monstrously--is, a force of nature, beyond our rational reckoning, but not, perhaps, our irrational fascination...
...vivid Violetta of Patricia Racette. Cura's turn comes with next season's opening night, when he will be sharing a double bill with his mentor, Domingo (Cura stars in Cavalleria Rusticana, Domingo in Pagliacci). But even though Cura and Alvarez definitely have the potential to make it big, neither is quite ready to fill the king-size shoes of the Old Guard. Bel Canto (Sony Classical), Alvarez's first CD, is promising but not yet the work of a mature artist, while Cura can be heard in Puccini: Arias (Erato), a handsomely sung recital conducted by Domingo that reveals...
...hasn't been contemporized, stars neither Gwyneth Paltrow nor Ethan Hawke and features no recordings by Tori Amos. Yet this three-part, six-hour adaptation of Charles Dickens' last completed novel succeeds in seeming terribly modern. Considered by many critics to be the author's finest work, Our Mutual Friend takes a look at the perversions of capitalism in mid-19th century London through two parallel love stories. Suspenseful, subtly rendered and well acted (with an especially compelling performance by Steven Mackintosh as John Harmon, a wealthy young man trying to conceal his identity), this Masterpiece Theatre production should...