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...NELL K. SPITZ...

Author: /time Magazine | Title: Letters, Oct. 4, 1971 | 10/4/1971 | See Source »

Adolf Hitler's mistress was a pudgy, middle-class blonde who gloomed more than she glittered. Yet her name will go down in history alongside such famous and glamorous kept women as Lola Montez, Madame de Pompadour, Nell Gwyn and the Du Barry. How did she manage to catch der Führer's eye and remain with him until their joint suicide in the Berlin Reich chancellery? Photographs from Eva Braun's personal album, published in the London Sunday Times magazine last week, give few new clues to her mysterious charms. The collection shows Eva riding...

Author: /time Magazine | Title: People, Jun. 21, 1971 | 6/21/1971 | See Source »

...black press feature is an attempt at implementing both the forum and workshop purposes of the Journal. Thus it begins with an historical survey by Nell Painter. a Harvard graduate student, of the first 100 years of Afro American journalism and concludes with "A Walk Through the Wasteland," an analysis by Marquite Jones, assistant producer of ABC's black oriented "Like It Is," of the roles and reflections of black people in national television. Other articles in the feature include Francester F. Orme's "The Black Press, a memorandum for change" responses from black publishers to a Journal questionnaire: Charles...

Author: By Tony Hill, | Title: Journals The Harvard Journal of Afro-American Affairs | 5/13/1971 | See Source »

...Black Press" features three articles by students. One, by Nell E. Painter, a graduate student, examines the history of the black press in the U.S., while another by Francesta F.Orme '71 assesses the policies and goals of current black publications. A third article by William W. Bennett Jr. '72 is a study of various Afro-American Cultural Centers...

Author: By Julia T. Reed, | Title: Journal of Afroamerican Affairs Debuts With Black Press Study | 5/3/1971 | See Source »

Becky Tippens as Nell, and especially Paul Kleinman as Nagg do fine caricatures of senile old people. The only weak member of the cast is Montague Gammon as Clov. In general his Clov expresses only a whining weariness with everything about his life. However (and here again is the difficulty with acting Beckett) whining weariness can grate on an audience unless it manages to be expressive of meaning beyond sheer weariness. Gammon is not quite able to convey this, and as a result his characterization occasionally becomes tiresome...

Author: By Richard Bowker, | Title: Theatre III Endgame at Mather House, March 18, 19, and 20 | 3/18/1971 | See Source »

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