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...peasant dress, with locks tumbling down her back, she was the essence of pouty innocence in Roman Polanski's Tess. Well, take another look, because in Francis Coppola's upcoming musical One from the Heart, set in the Las Vegas world of neon nights, Actress Nastassia Kinski, 20, plays a circus performer with the wily ways of a seductress twice her age. Heart is being billed as "a fantasy about love, jealousy and sex." From the look of things, Nastassia fills the bill...

Author: /time Magazine | Title: People: Aug. 24, 1981 | 8/24/1981 | See Source »

...After a while, you can barely see for the myth. It was so quickly generated. So quickly canonized. When you ask people why they came they are reluctant to talk. It takes a while before it sinks in. They want to be left alone. Here, in the terrible neon on the plush vinyl-smelling carpet, surrounded by sensory input--they want to be left alone. They just want to remember...

Author: By Thomas Hines, | Title: The King's Last Limousine | 6/30/1981 | See Source »

...except for the neon yellow handrail, very dark on the footbridge spanning the road that bisects South of the Border. An occasional car goes by beneath, headlights playing on the walls of Fort Pedro ("all kind Confederate souvenirs and most legal fireworks you gonna find anywhere"). In the distance are the pinball and the gas station and the tamale stand. And on one of the three "sweem" pools, this sign: "Pool for the use of hotel guests only. All others will be hanged by the neck until dead...

Author: By William E. Mckibben, | Title: 18 Hours South of the Border | 6/26/1981 | See Source »

Kate Edmund's set is the other unalloyed success of the evening. A.R.T. subscribers horrified at the high-tech circus of Lulu or put off by the gloomy Brechtian neon of Seven Deadly Sins earlier this year will be happy to hear that Figaro is staged straight, with period costumes by Rita Ryack. But the traditional mise-en-scene does not petrify the show. Edmunds has placed the Countess's bedroom, the courtroom, and the other havens of aristocracy underneath a patently fake proscenium, upstage; in the wings, stretching around the audience are the kitchens, dressing rooms and lofts...

Author: By Scott A. Rosenberg, | Title: The Trouble of Being Born | 5/18/1981 | See Source »

...records, but he suddenly finds himself wanting this woman, so badly that he can't even keep anything in his stomach. It's obvious that Chambers and Cora are on some cutting edge that Papadakis will never know Papadakis loves America. He goes out to get a twenty-foot neon sign which shows an American flag shaking hands with a Greek flag. Chambers is nowhere near that state of mind. While Papadakis is gone. Chambers and Cora go after each other like demons. Cora begs Chambers to bite her. When he kisses her he says he can feel the blood...

Author: By Thomas Hines, | Title: Knock, Knock | 4/11/1981 | See Source »

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