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...about travel and exploration, circling back on a landscape choked with color and crammed with eccentric heroes. Each new show provides a fresh chapter. Ferrer's sources are often literary: Pigafetta's chronicle of Magellan's explorations, for instance. His materials are a parade of incongruities -neon tubes and stuffed anacondas, old dinghies and melting ice, dry leaves and wild-dog skins, plastic roses, canoes made of rusty wire, maps that turn into masks, and drums, beads, burlap...

Author: /time Magazine | Title: Art: Ferrer: A Voyage with Salsa | 2/28/1977 | See Source »

Promising Results. To view the hologram is easy. A beam from a helium-neon laser is passed through one lens, which spreads it to cover the entire plate, through the plate itself and then through another lens, which acts as an optical computer and converts the spots into a coherent picture (see diagram). The result is an image showing the arrangement of atoms in one plane of the crystal. This image can be combined with images from other sections to give a three-dimensional view of the crystal's entire atomic structure. Says Stroke: "In the past...

Author: /time Magazine | Title: Science: Molecules in 3-D | 2/14/1977 | See Source »

...thousands of pages Rand has written, she carries her philosophy of "rational self-interest, egoism,. individualism, and capitalism" beyond its obvious application to social structure, into fields like art and personal conduct. Ergo holds that only romantic art is good art, for example. A recent display of neon sculpture by Boston artist Chris Sproat at MIT's Hayden Gallery was reviewed critically in Ergo: "One can see the show in 10 seconds, the time it takes to walk across the gallery. The pieces do not differ significantly from each other except that in one case the conduct is curbed rather...

Author: By Roger M. Klein, | Title: Ergo: The right point of view | 12/2/1976 | See Source »

...stayed in Urgup, a sprawling, wind-blown town. In its center stands a massive hill, hollowed out in the Middle Ages as a place of refuge. The hill is now crowned by a huge neon likeness of Ataturk, the father of modern Turkey. Surprisingly elegant houses--all with brown Venetian facades--line the hillside...

Author: By John Sedgwick, | Title: Valley of the Fairy Kingdom | 10/19/1976 | See Source »

Barry Beckerman's screenplay offers Director J. Lee Thompson (The Guns of Navarone) several good chances to take advantage of the flush, neon lowlife of L.A. Thompson sedulously ignores every opportunity and does not try to sort much sense out of the plot, either. He has all he can do to keep his actors from tripping over corpses. In addition to the ravishing Jacqueline Bisset, who appears as a rather tricky temptress, and Houseman, whose air of hothouse gentility is persuasive, Charles Bronson makes a pleasing shamus out of St. Ives. No big thing, mind. But he eases through...

Author: /time Magazine | Title: Cinema: Eye Drop | 10/11/1976 | See Source »

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