Word: neos
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Dates: during 1950-1959
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...attention in Caracas' Plaza Bolívar while a comely maiden presented a "sacred torch," run into town by relays of students from the battle shrine at Carabobo, 120 miles away. Then, before a crowd of 100,000, the two strongmen dedicated the Avenue of Heroes, a gaudy, neo-Grecian plaza fronting the mammoth Armed Forces Club. The avenue's two 100-ft. towers, six reflecting pools, 84 giant urns, 50-ft. obelisk and dozens of statues and fountains cost the nation at least...
...good-will mission from his Italian-American constituents to the all-Italian citizens of Rome, and managed to kick up a fuss that out-curled Curley at his bushy-tailed best. Gallivanting about Rome with 60 other rubbernecking Bostonians, Democrat Hynes got himself photographed with a nestful of Neo-Fascists, was front-paged by happy Communists and indignant Conservative dailies alike. Some newspaper reports alleged that Hynes had visited the Neo-Fascist headquarters, had seen a film glorifying Mussolini's last stand, asked a café orchestra to play the forbidden Blackshirt hymn Giovinezza, topped...
...long been a maverick. He calls his method "client-centered therapy," tries manfully to define it: "We see therapy as an experience, not in intellectual terms. We treat the client as a person, not as an object to be manipulated and directed." Snorts a Chicago psychoanalyst of neo-Freudian persuasion: "Rogers' method is unsystematic, undisciplined and humanistic. Rogers doesn't analyze and doesn't diagnose. We have no common ground." To Rogers that is fine...
After a brilliantly witty commentary, Walter Piston '24, Namburg Professor of Music, conducted his own immaculate "Divertimento for Nine Instruments." Robert Brink was the fine soloist in the first local performance of the revised version of Alan Hovhaness' Concerto No.2 for Violin and String Orchestra, a rather bland neo-modal work. Carl Ruggles' extremely dissonant Angels was written for either string or brass ensemble; the performance here by strings could not equal the extraordinary effect that three trumpets and five trombones can achieve. The concert ended with Daniel Pinkham '44 conducting the combined chorus and orchestra in his new Wedding...
...piece called "Nobody Will Room With Me"; the small "spasm" or "skifflle" bands of home-made instruments; the staccato phrasing and polish of Bix Beiderbecke; Paul Whiteman, who "tried to make a lady out of jazz and wound up with a eunuch"; the wider tone colors and neo-jungle rhythms of Duke Ellington; the two-beat music of Jimmy Lunsford; Benny Goodman and the importance of his Fletcher Henderson arrangements; the blues-based simplicity of Count Basie; the thin, sparse sax playing of Les Young; the small jam sessions during World War II made necessary by the wholesale draft...