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Word: neos (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

However, don't imagine Koehne's piece to be of the modernist or neo-modernist aesthetic just because it is considered contemporary; don't think "Michel Foucault does orchestral music." Rather, the composer opts for the "Reconstructionist" aesthetic--the program notes state, "Koehne has moved towards an affirmation of traditional values and a vital opposition to what he sees as the sham iconoclasm of the avantgardist attitude." In particular, Elevator Music was inspired by the integration of jazz and popular music into orchestral music. But the piece sounds more like film music than a symphony. Koehne calls his piece...

Author: By Terri Wang, CONTRIBUTING WRITER | Title: SYDNEY OL? (AU LAIT) | 12/4/1998 | See Source »

...those who invariably tote around a copy of The Fountainhead--rife with the requisite pithy marginalia--will savor this lecture presented by the Harvard Objectivist Club. Dr. Gary Hull will speak about "Neo-Puritan Assault on Sex and Pleasure"-- offering a wonderfully diametrically alternative to the excessive, hedonistic pleasures of CityStep's Annual Ball. Why would anyone dance the night away in unnecessarily opulent getups when one could consider, instead, "the fusion of Plato, Christianity and Kantian - inspired nihilism"? Gosh...

Author: By Sara Reistad-long, | Title: LISTINGS | 11/19/1998 | See Source »

With a swastika tattooed on his left pec and a gaudy line of rage against minorities, Derek Vinyard (Edward Norton) is the very model of a modern neo-Nazi--the model, at least, to his doting younger brother Danny (Edward Furlong). While Derek simmers in jail for killing two black malefactors, Danny gets the evil message. He writes a paper on Mein Kampf, shaves his head and becomes a good little Hitler youth. Monkey...

Author: /time Magazine | Title: Cinema: Thug Chic | 11/2/1998 | See Source »

...black-and-white scenes), made his name directing TV commercials in Europe. What's not clear is the product on sale here. It seems to be brotherhood among the races. But David McKenna's script is either cunningly ambiguous or desperately muddled. In racially torn Venice Beach, Calif., the neo-Nazis are pathetic lowlifes, crying out for our contempt. And of course Nazism is a thug ideology. Yet much of the film's violence is committed by blacks; most of the victims are white. So what's the moral...

Author: /time Magazine | Title: Cinema: Thug Chic | 11/2/1998 | See Source »

...moral is as old as South Pacific: you've got to be taught to hate. Derek's father makes racist remarks, so the liberal-minded lad turns into a neo-Nazi; then Derek sees his beliefs are wrong, so skinhead Danny does too. It's nice that today's kids are so easily swayed by their elders. Or is it? Monkey...

Author: /time Magazine | Title: Cinema: Thug Chic | 11/2/1998 | See Source »

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