Word: nero
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...similar trend marked Rome long before its fall. Juvenal decried the ubiquity of foppish, feminine, perfumed males. Elagabalus appeared publicly in women's clothes. Caesar was likened to "every man's wife and every woman's husband"; Antony had a harem of men and women; and Nero is thought to have married a castrated male...
...story concentrates on the mental disintegration of an Italian pop artist (Franco Nero). Tortured by paranoiac and frequently brutal sexual fantasies, the artist persuades his patron and mistress (Vanessa Redgrave) to rent him a long-deserted villa outside Milan-"a quiet place in the country." The villa turns out to have been the trysting place of a nymphomaniacal adolescent countess who was killed during the second World War. While his mistress stays m town, the artist settles down in the villa, only to become haunted, then possessed by the phantom presence of the dead girl...
...interested in sensations as psychology, Director Petri forgoes the subtleties of a typical Jamesian ghost story to concentrate on visceral effects. The movie has many kinky and splendidly horrifying moments, including a sadistic nightmare, a daylight visitation in a garden, and a tumultuous seance sequence Franco Nero, in a difficult part, manages to convey just the right amount of obsessive menace;, while the excellent Vanessa Redgrave, in a simpler one lends to the proceedings a saving edge of meticulously rendered reality...
...atheist and a hypocrite-three distinct personalities that Rey manages to portray simultaneously. As his money and his vigor recede, Don Lope pursues the bewildered girl and overtakes her. Once seduced, Tristana is a figure of metastasizing vengeance. When she becomes the mistress of a young artist (Franco Nero), Don Lope shouts in misery, "I prefer tragedy to ridicule . . ." The girl awards him both. Her flight with the artist is ended by a disease that costs her a leg. Convalescing in the house of her for mer guardian, Tristana hears Lope, stricken with a heart attack, rattling...
...symbolized by soul-quickening jazz, bobbed hair and notions of the emancipated woman. Yvette soon tastes the salt in her blood and begins to seek the fast company of Mrs. Fawcett (Honor Blackman) and her lover, Major Eastwood (Mark Burns). Even more liberating is the anonymous brooding gypsy (Franco Nero), a prototype of Lawrence's glanded gentry...