Word: nervelessness
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Dates: during 1970-1979
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PODHORETZ DROPS NAMES, and not always affectionately. He hates the politically nerveless and the overly cynical, but lands heaviest on the intellectual hypocrites, attacking, for example, Lillian Hellman, whose book Scoundrel Time defended Stalin and his crimes, while disgracefully comparing the plight of Eastern European dissidents to the bogus martyrdom of those who, under congressional questioning, evasively pleaded the fifth...
...infusions of prize money-purses have doubled since 1975 to $3.4 million this year-tend to make top women amateur golfers into pros earlier than their male counterparts. The rising stars have done their growing up on the professional circuit and in the process have honed themselves into nerveless competitors while still in their teens and early 20s. The result is an aggressive, charging style of play that threatens to leave some of the tour's conservative veterans by the wayside. Says one longtime observer: "When I watched the L.P.G.A. ten years ago, it seemed that almost everyone played...
Cuts are the feared actions of coaches that bring nerves to the most nerveless athletes. They cause sleepless nights, added worries and psychological strain. They test a player's ability to perform under pressure, the pressure of having to make a team.all athletes know the struggles against being cut. One such athlete is Scott Malkim, an Eliot House sophomore, who has been living on the edge of the blade, avoiding the fall soccer cut by a hair. His thoughts and emotions provide an example of the tension evoked in the battle to make a team. His words speak for many...
Gwynne's Big Daddy is a man of cutting cruelty, but he lacks the roguish animal magnetism of Burl Ives in the 1955 original. Dullea is much too nerveless as Brick; his crutch upstages him. Stalwart Kate Reid rates a special citation for her earthy, grieving, raging Big Mama. But it is Elizabeth Ashley, purring, clawing, fighting for her man, who gives the play a mesmeric, electrifying intensity. ∎ T.E.K...
Mourning Becomes Electra is like a day of wild wind and rain that finally reduces everyone and everything to a sodden, nerveless pulp. O'Neill transposed the Oresteia-the legend of the doomed Greek house of Atreus-to post-Civil War New England and laced it with Freudianism. O'Neill never achieves the catharsis of pity and terror, only the strangulated sob of a guilty Christian conscience: "I believed in heaven. Now I know there is only hell...