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Word: nervous (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...headquarters war diaries, or that I had learned about his present to his wife. So when the interviewing began, it was obvious from their answers that I would not get the real story without my revealing facts I had read in the war diaries. They were nervous and reticent...

Author: /time Magazine | Title: Letters, Dec. 7, 1959 | 12/7/1959 | See Source »

...weeks France's National Assembly has debated the cases of nervous Draftee Jacques Charrier, 23. cinemactor bridegroom of Cinemactress Brigitte Bardot, and Civilian Yves Saint-Laurent, 23, twice-deferred head of Paris' high-fashion House of Dior. Last week France's Defense Minister Pierre Guillaumat himself spoke up: hospitalized Charrier is really "an urgent case for observation and treatment"; willowy Designer Saint-Laurent will be drafted-come hell or high fashion -next September...

Author: /time Magazine | Title: People, Dec. 7, 1959 | 12/7/1959 | See Source »

...Happy Reindeer (Capitol). Another of the tape-doctored disks, this one featuring the nasalized singing of "Dancer, Prancer and Nervous" in a message of blue-eyed innocence: "We are Santa's reindeers/ We've learned to sing this year/ So we can tell everyone/ Christmas day is near...

Author: /time Magazine | Title: Music: Sounds of Christmas | 12/7/1959 | See Source »

...women who escaped flu, 653 had normal babies and only ten lad malformed children. There was no notable difference in the number of still or premature births. The malformations, concentrated among the women who had had flu in the first three months of pregnancy, were mainly in the central nervous system and included a disproportionate number of cases in which the infant's brain failed to develop...

Author: /time Magazine | Title: Medicine: Flu in Pregnancy | 12/7/1959 | See Source »

...haunting a work as Alban Berg's Wozzek (TIME, March 16). From its ominous opening xylophone solo to the final burst of harp-punctuated melody, the village tragedy unfolded without the benefit of set pieces, ensembles or arias. Heavily percussioned, the orchestra sometimes sank to a rich, nervous whisper flickering through the strings, sometimes burst forth in anguished, brassy cries. Throughout, Janacek's use of exotic folk idiom wrapped the opera in an eerie, Kafka-like haze that did much to add depth and mysterious dimension to the melodramatic plot...

Author: /time Magazine | Title: Music: Czech in Chicago | 11/16/1959 | See Source »

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