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Soft and subtle shades are worked onto the translucent paper in geometric blocks or bright floral patterns. The inner bamboo frame is as delicately engineered as one of Nervi's tilted arches. Although they look fragile, Reynolds' bangasa are stronger in the wind than regular umbrellas, which reliably invert just when wind and rain are heaviest...

Author: /time Magazine | Title: Fashion: Esthetics for a Rainy Day | 1/7/1966 | See Source »

...masterworks by the greats of modern architecture, the pickings are slim. Frank Lloyd Wright and Mies van der Rohe get only one building each (the Guggenheim Museum and the Seagram Building); Marcel Breuer's first structure (the new Whitney Museum) is only now going up; and Pier Luigi Nervi is relegated to a bus station at the north end of the island. Last week Finnish Architect Alvar Aalto, one of the acknowledged deans of modern design, managed to get his foot in the door. It was for a room, some 4,350 sq. ft. of conference space, atop...

Author: /time Magazine | Title: Architecture: A Room of His Own | 12/11/1964 | See Source »

...last three sets of lectures have been by Eric Bentley on literature, Plor Luigi Nervi on architecture, and Leo Schrude on music and drama...

Author: NO WRITER ATTRIBUTED | Title: Norton Lecture To Be Delivered By British Poet | 3/13/1964 | See Source »

...color spreads we have directed attention to the best works of such gifted contemporaries as Mies van der Rohe, Breuer, Gropius, Saarinen, Rudolph, Belluschi and Nervi. Architects themselves seem highly mindful of TIME'S role in bringing architecture to a wider public. Gordon Bunshaft, the man who gave a lift to Manhattan's Park Avenue with his famous postwar Lever House, says. "There are times when we don't know whether we're working for a client or for TIME...

Author: /time Magazine | Title: A Letter From The Publisher: Jan. 18, 1963 | 1/18/1963 | See Source »

...attention on a central event. The newest and perhaps most striking round church in the U.S.. the Church of the Priory of St. Mary and St. Louis, was consecrated this month near St. Louis. Designed by Gyo Obata, with engineering consultation from Italy's Pier Luigi Nervi, the church is a confection of thin concrete shells resembling nuns' coifs. tiered like a giant pudding mold. On top of the graceful central lantern is the slenderest of crosses. Says Joseph Cardinal Ritter, Archbishop of St. Louis: "It is an outstanding demonstration of the ingenuity of man in honoring...

Author: /time Magazine | Title: Art: The Circle & the T Square | 9/21/1962 | See Source »

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