Word: nesbitt
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Dates: during 1960-1969
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...blurb, "changing scale by a factor of ten") and Stalking the Wild Asparagus, Euell Gibbons' foraging guide to edible wild plants. There are "pop enlightenment" texts on yoga, sense relaxation, self-hypnosis and psycho-cybernetics. Among the catalogue's biggest sellers is The Survival Book by Nesbitt, Pond and Allen -"an excellent handbook for Air Force pilots downed in remote regions...
...moldering district of London, they are each other's consolation prize. No hint of lust knits them together, only a saturating fear of loneliness. A special terror is to be aged and alone, and this is made chillingly vivid by Harry's bedridden mother (Cathleen Nesbitt), who lives with the couple. She is an arthritically gnarled stick of a woman who wets her bed, is only intermittently coherent and has to be spoon-fed by Harry, who tends her with a tactful if exasperated saintliness...
...List is busier than ever. For its May opening, Washington's National Collection of Fine Arts commissioned posters by Lee Bontecou, Chryssa, Allan d'Arcangelo, Sam Francis, Larry Rivers and Claes Oldenburg. The New York City Center has ordered a 25th anniversary portfolio in which Lowell Nesbitt, George Segal and Jim Dine will celebrate the drama, ballet and comic-opera companies...
...Black man, Charles Nesbitt, once said that "many Blacks have middle-class values but lower-class pocketbooks." Is this a reason why we can't live together? I tend to say yes, especially when part of this reason is White oriented. But even this isn't completely true, because some Black men have middle-class values and pocketbooks and still there is that gap between White and Black. Many White "Do Gooders" try to appease the Black man and fill this gap with what the old black schools of thought call "Tokenism," "Gradualism," and "See How Far You've Comeism...
...Nesbitt's own studio is evoked by haunting grisaille renderings of his wall moldings and a view through his window at the empty windows of the tenements across the street. Or are they empty? They are, but such is the skill of the brushwork that the observer feels compelled to look again. "I always want there to be a chance for the viewer to see more," says Nesbitt. "I feel a painting should become a focus point for meditation like a mandala...