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DIED. IAN BANNEN, 71, Oscar nominee who played an affable con man in 1998's hit Waking Ned Devine; in a car crash near Loch Ness, Scotland. In a 50-year career, Bannen appeared in Braveheart, Gandhi and the 1980 TV mini-series Tinker, Tailor, Soldier, Spy; and on the London stage in The Iceman Cometh and Long Day's Journey into Night...

Author: /time Magazine | Title: Milestones Nov. 15, 1999 | 11/15/1999 | See Source »

...already been stolen. Another shocker: public funds earmarked to pay for tombstones for some of the 7,000 victims of the Srebrenica massacre have vanished. Gilman plans hearings on the corruption this week and will call on the White House to create a "well-protected and highly trained ELLIOT NESS-style financial SWAT team" to pursue the inquiry in Bosnia...

Author: /time Magazine | Title: Exclusive: More Losses in Bosnia; This Time It's Aid Money | 9/20/1999 | See Source »

...real world, climbing a mountain or learning to handle a kayak with someone you've barely met or, even worse, someone you see at the office every day can be just as lame. Toss in the fear of tackling physically challenging tasks and the potentially corny kum-bay-ya-ness of it all, and you've got the makings of a disaster...

Author: /time Magazine | Title: Management: Extreme Offsites | 8/9/1999 | See Source »

...with European borrowings, from Matisse, Picasso, Kandinsky, Mondrian, Picabia, Leger, etc., etc. Nothing characteristically American there, you might say. But the crux of the identity issue is not the stylistic sources the artists drew on but the experiences on which they used them. It was there that the American-ness of American art hove into view, and it showed itself in two enormous image fields...

Author: /time Magazine | Title: Art: A Nation's Self-Image | 5/10/1999 | See Source »

...most redeemable aspect of The Harmonistsis not the movie's sensitive portrayal of characters or its uplifting ending. It is (now prepare yourselves) its authenticity, its un-American-ness. There is no backlighting, no svelte bodies on parade, no '90s-influenced costumes or setting. This by no means implies that the movie does not have its share of glamour; it's just that its style is as dark, European and heavy as Germany in the '30s would have been. Unfortunately, if we follow the inverse proportion of authenticity to box office success, we will realize, of course, that this very...

Author: By Annalise Nelson, CONTRIBUTING WRITER | Title: The Harmonists | 4/23/1999 | See Source »

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