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...NEST...

Author: /time Magazine | Title: Cinema: Adventures in Hopeless Love | 8/30/1982 | See Source »

...formative years but remaining dormant until some temporary weakness of the mind or spirit permits it to break loose. Surely such a classic pathology lies behind the unexpected passion that afflicts the otherwise kindly and harmless Don Alejandro in a wise and compassionate Spanish film called The Nest. The strength of Eric Rohmer's equally excellent Le Beau Manage is that it shows how rationalism, which is supposed to immunize us against our more maddened desires, can, when indulged in to excess, also provide a breeding ground for love gone lunatic...

Author: /time Magazine | Title: Cinema: Adventures in Hopeless Love | 8/30/1982 | See Source »

...might be a case of women's liberation or mistaken sexual identity or simple adolescent wanderlust. Whatever, the fact is that not since the turn of the century have bald eagles nested in Massachusetts, and there is no sign they soon will. In June, two six-week-old eaglets from Michigan's Upper Peninsula were imported by Massachusetts wildlife authorities as part of a program to reintroduce the species to the Bay State. When they were placed in cages atop a 21-ft. tower, all went well-at first. Ross (the purported male) took to soaring like, well...

Author: /time Magazine | Title: Americana: The Lady Vanishes | 8/23/1982 | See Source »

Croce's condemnations are rigorous and vivid. Of the late modernist Doris Humphrey she writes: "Humphrey was a structuralist who could reduce a Bach concerto to a nest of mixing bowls; the bowls were brown." Of the immensely popular work of the Netherlands Dance Theater's Jiŕi Kylian: "A favorite form of pas de trois is the woman pulled and dragged on a steeplechase course between two men. It stands for rape, for exaltation...

Author: /time Magazine | Title: Books: Turning Words into Motion | 7/26/1982 | See Source »

Sexual liaisons and betrayals have turned the cast into a nest of hissing adders by Act II. They have to hiss; the setting is backstage during an actual performance of Nothing On at Weston-super-Mare. Eddington hands out three gifts: a bouquet of flowers, a bottle of whisky and an ax. These pass from hand to hand as swiftly as batons in a relay race. The action is a testimonial to Director Michael Blakemore's tornado pace and stopwatch timing...

Author: /time Magazine | Title: Theater: Pride of the London Season | 7/12/1982 | See Source »

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