Word: nestor
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Dates: during 1970-1979
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...never used to heighten a scene, and the camera moves only when the actors' wanderings force it to do so. Benton's focus is so tight that Kramer shows a far more domestic and grittier view of Manhattan than the Allen and Mazursky films. The cinematographer is Nestor Almendros, a frequent collaborator of François Truffaut's and Eric Rohmer's and a brilliant portraitist...
...help carry out his spellbinding vision, Malick has turned to some of the most talented figures in European film making: Cinematographer Nestor Almendros (Claire's Knee) and Composer Ennio Morricone (1900). Their work is stunning; yet there is no mistaking Days of Heaven for anything other than an American movie. Malick's ability to capture the terror in plain, homespun settings recalls the spooky vistas of Painter Edward Hopper. The film's naive narration-recited in deadpan colloquialisms by the teen-age Linda-is right out of Ring Lardner's sardonic stories. In the tradition...
...about spring training is that it's almost as important where the foul balls land as who wins the games. When a White Sox batter lofted one into the parking lot along the first base line of Payne Field in Sarasota, Pirates first baseman Willie Stargell turned to umpire Nestor Chylak and casually remarked, "Somebody got a nod on his car. Did it hit the top or the hood...
...Hemingways were at first cautious about Errol. But since that Christmas visit, Errol has been in close touch with Jack. Together with Margaux's agent Peggy Nestor, they set up the Fabergé deal, which runs until 1980 and may yield Margaux more than a million if she promotes other products for Fabergé as well...
Chang led the concertino of the Corelli "Christmas Concerto" with violinist Robert Coalson and cellist Nestor Cybriwsky. The concerto is not particularly difficulty, but Chang and Coalson played with an enthusiasm and confidence reflected in their music. Unfortunately some very sour notes wafted out from the back rows of the violin section, somewhat spoiling the concerto's beautiful second movement...