Word: netherlandish
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...when it comes to the feats of the story’s hero, Cúchulainn, who’s a BAMF if ever there was one. 2. Fleet Foxes. The album cover of their self-titled debut features a painting by Pieter Bruegel the Elder entitled “Netherlandish Proverbs.” As any HAA 10 scholar could tell you, the work was painted in 1559, making it pretty fucking arcane. Filled with scenes of folly and absurdity, the original work depicts a great many common proverbs, and is an apt choice for the cover of Fleet Foxes?...
...Central Africa), "Sublimation: Art and Sensuality I the 19th century" (most importantly two Gustave Moreau canvases), "America: Art After 1950" (including a Frank Stella and Jackson Pollock), and "Timeless Beauty: Representing the Ideal in Neoclassical Drawing." Upcoming exhibitions include: Oct. 30-Jan. 23, 2000: "Lifeworld: Portrait and Landscape in Netherlandish Prints, 1550-1650," and Nov. 27-March 26: "The Shape of Content: The Stephen Lee Taller Ben Shahn Archive at Harvard." In addition to the collections on display, the Agnes Morgan Center, located on the first floor of the museum, has an astounding collection of prints, drawings, and photographs available...
...time of doctrinal crisis in the church, which left visible marks on his already self-reproachful and even morbid personality; a link between the exaggerated graces of Botticelli (who died when Lotto was around 30) and the learned artificialities of Mannerism; an Italian who saw the point of Netherlandish art and Hieronymus Bosch along with Germans like Altdorfer and, especially, Durer, not long after Durer himself was being changed by Venice...
...Lugt was eight and the other little boys in his native Amsterdam were swapping beetles and cigarette cards, he transformed a room into the "Museum Lugtius" with a sign on the door reading "Open when the Director is at home." By twelve, he started a fully annotated catalogue of Netherlandish drawings and, even more surprisingly, kept at it for three years. At 15, he wrote a life of Rembrandt. The chief works of Lugt's maturity, especially the great catalogues of Rembrandt and early Netherlandish drawings he compiled for the Louvre, are as basic to the study of Dutch...
...perhaps the most juvenile." Harry Levi '33, Irving Babbitt Professor of Comparative Literature, saw Eliot speak when Levin was an undergraduate, and he's seen many of the Norton lectures since then. When asked which lecture meant the most to him, he said that Edwin Panovsky's presentation. "Early Netherlandish Painting: Its Origins and Character," given in 1947-48, was "most stimulating, a brilliant exposition of art history using the history of art to illustrate the history of ideas," Levin also said that Panovsky was an "electrifying scholar" at the podium...