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...sentiment that transcends color. Mac is both thoroughly black and raceless. Its aesthetic perfectly fits its black baby boomer protagonist (the smartly chosen sound track bursts with such soul hits as the Ohio Players' Love Rollercoaster). But like My Wife, Mac rarely mentions race--a sharp contrast to the netlet shows, which load their scripts with in-jokes. And unlike, say, The Jeffersons, the show treats Mac's wealth matter-of-factly, not as a setup for fish-out-of-water jokes (rich black people! imagine!). "Bernie Mac doesn't need to remind us that he's black," says Wilmore...

Author: /time Magazine | Title: Television: Color Crosses Over | 2/25/2002 | See Source »

Even some of the more Afrocentric netlet shows might get past the perception that they are no-whites-need-watch zones if their networks didn't bolster it by scheduling them in blocks. UPN's Girlfriends (Mondays, 9:30 p.m. E.T.) has well-written black, white and biracial characters and a sophisticated take on race. Originally a salty, derivative takeoff on Sex and the City, it has matured into a perceptive look into the inner lives of four thirtyish black women. Creator Mara Brock Akil doesn't buy, though, that it's too "inside" for white viewers. "Look at Will...

Author: /time Magazine | Title: Television: Color Crosses Over | 2/25/2002 | See Source »

DURING ITS 54 WEEKS ON THE air, the WB netlet has produced the sort of programming that requires viewers to suspend disbelief far too strenuously. The sitcom Kirk, for example, asks us to accept that Kirk Cameron could be a Greenwich Village illustrator raising three children and dating a doctor who looks like Elle MacPherson. More demanding still is Simon, a sitcom about a dim-witted TV executive that seems to be set in some parallel universe where grown men take baths in front of their friends...

Author: /time Magazine | Title: TELEVISION: GARDEN OF GOOD AND TRASHY | 2/12/1996 | See Source »

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