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...nightclub, according to experts. "In the 1993 World Trade Center bombing, there you had a huge truck loaded with explosives parked under the World Trade Center, so much better placed, and a much better load. And it still didn't bring down the World Trade Center,? Dr. Peter Neumann, the director of the Centre for Defence Studies at King's College, London, told TIME...

Author: /time Magazine | Title: How Secure is Britain? | 7/1/2007 | See Source »

...still far from clear how effective it would, in fact, have been. In 2002, bombers in Bali killed 200 night-clubbers and wounded hundreds more by detonating two separate devices, one to draw curious onlookers and a second that exploded in the midst of the assembled crowd. Dr. Peter Neumann, the director of the Centre for Defence Studies at King's College, London, told TIME that, based on the limited information available about the London car bombs, he didn't think they could have brought down a building, not least because the devices would have been too small...

Author: /time Magazine | Title: Britain Versus the Bomb Plotters | 6/29/2007 | See Source »

...single genre. The semi-documentary “Panic in the Streets” (Elia Kazan, 1950), the noir masterpiece “The Third Man” (Carol Reed, 1949), and the low-budget sci-fi romp “Rocketship X-M” (Kurt Neumann, 1950), are equally suffused with dread, uncertainty, and black humor...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: Hoberman Reveals Cinema’s Cold War Secrets | 2/15/2007 | See Source »

...additional works of art now in German museums whose origins are being questioned. That means many of those could potentially be lost to private collectors, as has already happened with some of the works handed over by the Germans and Austrians. In a statement, Germany's Culture Minster Bernd Neumann called for more "transparency" in the restitution process, which, according to museum directors, has become "flagrantly commercialized...

Author: /time Magazine | Title: Is Too Much Being Made On (and of) Nazi Art? | 11/21/2006 | See Source »

...would organize meetings in coming weeks between major Jewish organizations, Germany's leading museum directors and the heirs of families who lost the works of art, in order to restore the original spirit of fairness to the process. "Restitution must become more transparent, better coordinated and more irreproachable," said Neumann. "On the one hand, Germany has a special responsibility towards Jewish families and the rights of the owners have to be respected," a spokesman for the German Chancellor Angela Merkel told reporters. "On the other, it is in the interest of the public to keep valuable national treasures on public...

Author: /time Magazine | Title: Is Too Much Being Made On (and of) Nazi Art? | 11/21/2006 | See Source »

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