Word: neutralization
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...were all designed to gain influence over the hard-liners to pressure them to stop human rights violations. But under Bush's watch, China seized disputed islands in the South China Sea, expanded nuclear testing and continued arms sales to Syria and Iran. Not only was the policy value-neutral--it was a failure...
...there is no clear proof of it. ABC's Brit Hume says his avowed conservatism never intrudes on his work: "It's not hard to keep bias out; you just have to be conscious of it. Most reporters are in denial." Some journalists go to great lengths to appear neutral. Executive editor Leonard Downie Jr. of the Washington Post abstains from voting and urges his staff, especially political correspondents, to do the same. Still, no one who reads the Post news columns regularly can have much doubt about the paper's basic point of view...
...that Magritte was Belgian, not French. The French Surrealists made a point of public provocation, inserting themselves into politics, issuing pretentious manifestos. Not so their Belgian cousins; "the subversive act," said one, the writer Paul Nouge, "must be discreet." Magritte's style, as it evolved, was studiously neutral. His early work, in the 1920s, was mainly exercises in late Cubism -- the "tubist," streamlined, geometrical forms of Fernand Leger and Amedee Ozenfant, shapes that might have been made from metal. The artist who clearly had the biggest impact on Magritte, turning him toward fantasy and irrational images, was Giorgio de Chirico...
...painted in a perfectly deadpan style, neutral rather than "primitive" -- serviceable, in a word. It came partly from posters and partly from kitsch art. "This detached way of representing things," he remarked, "seems to me to suggest a universal style, in which the quirks and little preferences of an individual play no role." It is meat-and-potatoes figuration, with no pretensions; if there were any pretensions in this world, where flotillas of loaves sail by in the evening sky like flying saucers and an innocent eye opens in the middle of a slice of ham on your plate, they...
Magritte was not a "literary" artist, and his work was more about situation than narrative. Nevertheless, his titles were important to him, and they are never neutral. They were, so to speak, pasted on the image like another collage element, inflecting its meaning without explaining it. They reflected his browsing in high and popular culture. The Glass Key comes from Dashiell Hammett, and references to the Fantomas thrillers (on which Magritte, along with the rest of the Surrealists and everyone else in France and Belgium, doted) are everywhere. On the other hand, The Man from the Sea is Balzac...