Word: nevelson
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Helen Frankenthaler, D.F.A., artist. Pauline Kael, Litt.D., movie critic. Louise Nevelson, D.F.A., sculptor...
...years' work in comparative obscurity before Alice Neel-now 64-won some recent recognition as one of the few artists capable of preserving the expressionist portrait as a live form (as in The Family, 1971). If an artist like Georgia O'Keeffe, Helen Frankenthaler or Louise Nevelson manages, by prolonged and single-minded concentration on work, to annul the prejudice against women, it is assumed that she has "transcended the limits" of her sexual class. Thus Nevelson's austere and formidable constructions like Black Crescent, in the very act of "escaping" the stereotype, may confirm...
From Flophouse to Gallery. For New York's better-heeled artists, the reaction was straightforward: buy a SoHo building outright, or convert it into a coop. A pioneer of that gambit was Louise Nevelson, who purchased a vacant five-story sanitarium on Spring Street and turned it into a succession of mysterious caves lined with her black, white, gold and Plexiglas constructions. Roy Lichtenstein acquired one vast floor of a bankrupt bank on the Bowery (other floors were taken by Adolph Gottlieb and Barnett Newman). Kenneth Noland bought a storage building; Robert Rauschenberg, a flophouse-cum-church on Lafayette...
...York School, by his definition a stylistic rather than a geographic limitation, and focused on what he sees as the central figures in the international modernist tradition. Given this definition, however, it is hard to see why he left out such major artists as Naum Gabo, Louise Nevelson, Sam Francis, Mark Tobey, William Baziotes, Richard Lindner, Larry Rivers, Marisol and Lee Bontecou. Even so, with 406 works by 43 artists, Geldzahler has assembled the most exhaustive survey ever of the period...
...case for a U.S. monopoly on styles. The sprightly satires of Britons Richard Hamilton and David Hockney hang in the same gallery with their better-known U.S. pop equivalents, such as Tom Wesselmann and Robert Indiana. Indeed, it is Documenta's unity that last week prompted Sculptress Louise Nevelson to remark: "Usually an artist works in loneliness. But here, one suddenly experiences the kinship one always suspects one might have with the rest of the artistic world...