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...SCULPTORS GUILD-Lever House, Park Ave. at 53rd St. Sixty-six samples of U.S. sculpture in a variety of materials; charred fir, laminated marble, aluminum epoxy, sassafras root, sheet copper, pear wood, concrete and stained glass are a few. De Creeft, Epping, Gross, Nevelson, Zorach are among the sculptors. Through...

Author: /time Magazine | Title: Uptown, Midtown, Museums: Art: Nov. 22, 1963 | 11/22/1963 | See Source »

...SCULPTORS GUILD-Lever House, Park Ave. at 53rd St. Sixty-six samples of U.S. sculpture in a variety of materials; charred fir, laminated marble, aluminum epoxy, sassafras root, sheet copper, concrete and stained glass are a few. De Creeft, Epping, Gross, Nevelson, Zorach are among the sculptors. Through...

Author: /time Magazine | Title: Art: Art in New York: Nov. 8, 1963 | 11/8/1963 | See Source »

...camera could record a scene like Still Life with Paper Moon: a mutilated doll stares blindly at a Nevelson-like collection of wooden chair legs and newel posts, one of which supports an abandoned bird's nest, while a paper ball-the kind that used to pop out of old-fashioned valentines-dangles above. Flaking paint, wood grain, wormhole and lathe scar are meticulously recorded in sharp focus, yet there is an eerie, aching loneliness about the scene that no camera could ever convey. In Lady Fair the mood is pure fun. with its symbolic scrap of lace...

Author: /time Magazine | Title: Art: Camera with a Soul | 9/28/1962 | See Source »

...Louise Nevelson is an imposing, muscular woman with eyes like augers. Besides the three rooms of golden debris in her house, she maintains two more studios near by-one in a former pizzeria, where she does her "dirty work, my black things," and one a few doors away for her white work. Her material is wood, shaped for utilitarian purposes-and salvaged by her from dumps and antique shops, or donated by friendly driftwood gatherers. For tools she uses an electric band saw, files, and a hammer...

Author: /time Magazine | Title: Art: All That Glitters | 8/31/1962 | See Source »

Sculptress Nevelson made her first real splash four years ago with sinister black-massed woodworks, given such titles as Moon Dial and Cathedral in the Sky. She denies that she is presently in a gold period, although most of her work, after being lacquered with several coats to seal the wood, is lavishly spray-bombed with a metallic product called Spray-O-Namel...

Author: /time Magazine | Title: Art: All That Glitters | 8/31/1962 | See Source »

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