Word: never
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Dates: during 1920-1929
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...four heavy men, W. T. Emmett '29 at No. 7; F. A. Clark '29 at No. 6; M.M. Johnson '31 at No. 5; and A. N. Webster '31, who is pulling the No. 4 oar. Emmett and Clark have both had previous experience in first University crews, Johnson never advanced beyond No. 5 in the second Freshman crew last year, while Webster rowed at No. 7 in the first Freshman crew...
...passionate defense of "our team." Italian editors shrieked to highest heaven that the Austrian team had "played foul," that the flag of Italy had not floated over the stadium, and that the Austrian brass band had played the old Italian royal hymn-obviously a gross insult to Fascisti who never sing anything except their own anthem, "Youth! Youth! Springtime of Beauty!" The umpire of the match, an Englishman, disqualified two Italians for roughness. Broken lanyards prevented the hoisting of the Italian flag. The Austrian bandmaster had no Fascist sheet music, supposed that the Italian royal anthem was the correct thing...
...days later Tsar Boris went to Prague and attended a performance of Arms and the Man by George Bernard Shaw. The manager of the theatre, glancing through a prompt copy of the play, noticed that the scene was laid in Bulgaria, and read the line: "My father never had a bath in his life." Bulgaria was hastily changed to Albania, and the performance was given with great success...
...Crisis was dedicated "To All Who Tried," the next "To All Who Endured"; this latest and last, "To All Who Hope." That is a strange title to give a pessimistic climax like this: "The story of the human race is war. Except for brief and precarious interludes there has never been peace in the world; and before history began murderous strife was universal and unending. . . ." Moreover, "it was not until the dawn of the 20th century of the Christian era that War really began to enter into its kingdom. j> "The War stopped as suddenly and as universally...
...worst of all, lack of recognition for his music. Final blow: his life-child, the opera Boris Godonnov, tragic and powerful story of a guilty Tsar, a work loved by the people, rejected by the critics, had been taken out of the repertoire of the famed Marie Theatre and never again performed during his life. Drugs and cognac were no longer an escape from reality. Death was best. Moussorgsky died but Boris lived on, to furnish one of the strangest case histories in the literature of music. Composed in 1874, it was until last year known to the world only...