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Dates: during 2010-2019
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...blocks—postcards generally don’t make the best of living spaces. Singles abound in Currier (both the person and room variety), and everything is under one roof—as should be the case in a House—so you never have to deal with any of the entryway alphabet soup that forces you out into the cold rain in order to get to the dining hall. (Take that, River Houses.) Described in a few words, Currier is unpretentious, comfortable, and airy?...
...never been easy to understand the connection between—let alone the mass market success of—a band made up of Britpop star Damon Albarn, comic book artist Jamie Hewlett, and a series of featuring artists that now includes hip-hop producer Danger Mouse, rock legend Lou Reed, and the Lebanese National Orchestra for Oriental Arabic Music. It is even more surprising that these disparate figures, who collectively form Gorillaz, have built a reputation as a hip-hop group. In fact, Gorillaz has always been more influenced by comparatively esoteric genres...
Rooms: Seventy percent of sophomores are placed in singles, and there are never mice, roaches, or awkward walkthroughs. How does the Quad sound now? Though the notion is an odd one, many Currier singles are connected to each other by “sink rooms,” which are exactly what they sound like. As for exciting upperclassman housing, Currier boasts the 10-(wo)man, several solariums (complete with balconies that wrap around the house and provide a view of the Boston skyline), and several suite concoctions. And don’t worry about...
...difficult to sympathize with Jason, who embezzles from his own mother, constantly mocks kind and hard-working people, and prevents his own sister from visiting her daughter. Jason’s rage even spreads to general targets as he explains his philosophy on relationships: “I never promise a woman anything nor let her know what I’m going to give her... Always keep them guessing. If you can’t think of any other way to surprise them, give them a bust in the jaw,” revealing that the only venue...
Actors almost never connect or collaborate as they recite lines; instead, they always seem to be yelling across the stage at one another from atop these purposely unfinished set pieces. Their placement makes them feel even more removed from the audience. Consequently, emotional peaks in the script fall flat. Fish certainly seems more focused on his concept than the story itself...