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...previous full-length release by the electronic artist and Ontario native David Snaith, was a record of textures, the kind of album that is best appreciated alone, eyes closed, with headphones on. 40-odd minutes of meandering, unpredictable soundscapes, “Andorra” waxed and waned but never climaxed, never really accelerated. The result was a deservedly acclaimed album of ambient electronica that was unhurried yet gorgeous, atmospheric yet unpretentious...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Caribou | 4/20/2010 | See Source »

...intriguing but uninspired wash of strings and chiming percussion before segueing into a fairly standard dancefloor-filling riff. Perhaps the worst offender is “Hannibal,” which clearly aspires to be a dance track but, for all its echoes of New Order and layered instrumentals, never achieves liftoff, sinking instead into a repetitive morass. None of these tracks are exactly bad, but they all feels slightly aimless, lacking both the propulsive physicality of Caribou’s dance music and the fragile beauty of his spaced-out electronica...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Caribou | 4/20/2010 | See Source »

...those behaviors and character traits that set women apart from men—were humanly created, Beauvoir argued, not natural. Rather than evidencing a perverted female essence or mistaken choice, feminine traits reflected woman’s situation. For Beauvoir, women’s biological nature could never be experienced apart from this second social nature: The body, and with it, body-consciousness, were always historically mediated...

Author: By Courtney A. Fiske | Title: Situating Sex | 4/20/2010 | See Source »

Beauvoir’s “The Second Sex” has since succumbed to obsolescence. New paradigms, denying the structuring of sexual difference as a binary opposition, claim to relegate Beauvoir’s text to a realm of secondary importance. Yet, even if Beauvoir never unequivocally answered the question she posed, she provided the terms of a debate which remains intensely contested. As Beauvoir’s tombstone turns 24, her legacy—whether fully or pseudo feminist—commands our continued attention...

Author: By Courtney A. Fiske | Title: Situating Sex | 4/20/2010 | See Source »

...April 2010 issue of Teen Vogue demonstrates. Olamide E. Oladipo, an associate producer for Eleganza who oversees finances, points to their reputation as a draw for potential sponsors. “Companies have either heard of us before when we reached out to them five years ago or have never heard of us before, but trust us and are impressed when they see the long list of our past sponsors...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

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