Word: neveral
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Dates: during 1940-1949
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That fall he went to Yale, where he rowed No. 7 on the frosh crew. Says Acheson, archly: "Those who row No. 7 say it is the most important place." He never put on enough weight to row on the varsity, but another old Groton boy and Yale oarsman, Averell Harriman, admiringly remembers the Dean of those days. Says Harriman, with the air of a man making a lasting character judgment: "He was a good...
...methods were straight and direct. He sometimes got impatient at congressional questioning, but managed pretty well to cover it up; only occasionally did his voice become edgy and curt. Once, when he was Assistant Secretary, he spent a whole day under the grueling, stubborn fire of one Senator and never cracked-although when he got back to the State Department, the son of the bishop clenched his fists and gritted to an aide: "That son of a bitch-I could hardly restrain myself...
Long ago, someone said that Beatrice Lillie was the funniest woman on the English-speaking stage. This rather sweeping pronouncement has never been challenged and, indeed, could here be extended to "the funniest woman in the world" but for this writer's early memory of a great uncle who, after a few drinks, was given to recalling in glorious terms a little entertainer in Kenya who was once very funny with her Swahili monologues. In case this worthy woman is still alive, and out of respect to my uncle, I'll only go so far as to say that there...
Those favoring the bill for federal ownership concentrate their views on the Supreme Court decision. They say that since the states never owned the land the states have no rights to be considered whatever. Since the United States has "paramount rights and full dominion" in this land, why should the government give the land away? How can the federal government, they argue, give land in which all the states have an interest to three states? This, they say, would be a quitclaim, and they see no reason...
...harmonies between violin and piano, combines with the many melodies to give a very striking effect. Perhaps the finest moment in the piece comes in the carefully built-up climax of the second movement. Except for a few scattered parts, the writing throughout the Sonata is tight; the piece never seems too long for its contents. My only objection is to some of the bowing effects in the first movement, which don't really seem to belong. The performance by Norma Bertolami Sapp and Joseph Leibovici was extremely competent, although occasionally it seemed as though Mr. Leibovici were merely rattling...