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...terms.In the above mentioned debate scene, after Kurton’s engaging response, the unidentified novelist changes his tone. He gives up, tells the audience, the whole species, to “go enhance.” But he issues a warning: “We’ll never feel enhanced… When fiction goes real, reality will need a more resistant strain of fiction.”This is why Powers, among his likeminded contemporaries, is worth reading. Time and time again, he provides us with more and more resistant strains of fiction. The humanities, resisting science...

Author: By Adam L. Palay, CONTRIBUTING WRITER | Title: Acclaimed Novelist Powers Perfects His Aesthetic | 9/25/2009 | See Source »

...Despite his commitment to remaining “neutral”in these projects—which blend lyric poetry with documentary and biography—Armitage conceives of them as acts of artistic and social generosity. “A lot of people that we worked with have never had anything given to them,” Armitage says, “so for somebody to write a poem for them, taking into account their language and their situation, and give it back to them... that can be a very meaningful experience.”Although Armitage has demonstrated...

Author: By Grace E. Jackson, CONTRIBUTING WRITER | Title: Armitage Arms Poems with Power | 9/25/2009 | See Source »

...fast food chain called “SecretBurgers: Because Everyone Loves A Secret” or “Painball,” a security facility in which convicts shoot at each other with corrosive paint—perhaps because they are so playful. But Atwood never loses her edge. When the titular flood wipes away humanity, it comes not in sheets of rain but as a plague contained in the inoffensively named pill BlyssPluss. The Flood is at the heart of the story—its imminence dictates the actions of God’s Gardeners, a religious environmental...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Atwood’s Apocalyptic ‘Year’ More Fun than Flood | 9/25/2009 | See Source »

...ambulance-chasing lawyer with a vapid trophy wife, his friend Sal only encourages his rabid fandom, and his mother has long since given up attempting to make him to do anything with his life. While these characters are realistic archetypes, each one performs a single function and never deviates from that purpose. (As Philadelphia Phil, Rapaport spends almost all of his scant eight minutes of screen time chanting and jeering in a sports bar). Though the plot leaves a few loose ends, these work within the film’s internal logic. The Quantrell Bishop storyline is abandoned in order...

Author: By Brian A. Feldman, CONTRIBUTING WRITER | Title: Big Fan | 9/25/2009 | See Source »

...lack of dramatic tension. Ben Whishaw (“Brideshead Revisited”) and Abbie Cornish (“Stop-Loss”) are wholly convincing as the movie’s tragic couple, but that is in some ways precisely the problem. Their strong bond is never counterbalanced by a force of sufficient magnitude which could plausibly stifle it. Because the viewer is not presented with any roadblock that should be capable of irreparably harming their relationship, the fact that the two lovers are fated to never consummate their love weakens the film’s dramatic drive.At...

Author: By Bram A. Strochlic, CRIMSON STAFF WRITER | Title: Bright Star | 9/25/2009 | See Source »

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