Word: new
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Dates: during 1930-1939
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...spring of 1929 a gangling, 16-year-old kid, with a Daily Racing Form bulging out of his coat pocket, ambled around the grounds at New England's fashionable St. Paul's School, taking bets on the Kentucky Derby. He was Alfred Gwynne Vanderbilt Jr., whose father had gone down with the Lusitania. His mother, twice remarried, owned a fine stable of thoroughbreds, and young Alfred, heir to some $20,000,000, was champing at the bit for the day when he could spend all his time among horses...
...venerable Pimlico race track outside Baltimore (of which he later became president). The same year he became the youngest member of The Jockey Club, the handful of oligarchs who govern U. S. horse racing. Last week Alfred Vanderbilt succeeded ailing 66-year-old Joseph E. Widener as head of New York's elegant $4,000,000 Belmont Park, founded in 1905 by Granduncle William K. Vanderbilt, William C. Whitney and August Belmont. At 27, Alfred Vanderbilt, president of two of the most important race tracks in the country, was fast getting into position as the No. 1 turfman...
...unprecedented policy of a stake race every day, removed the famed infield hillock that obstructed the spectators' view, and inaugurated the Pimlico Special to determine the Horse of the Year. Last week Turfman Vanderbilt's main problem was: how to make elegant Belmont popular with inelegant New York racing fans (potentially increased for 1940 because of the recent legalization of pari-mutuel betting at New York tracks...
...Angeles Wind Quintet; Columbia: 4 sides). Kulturbolschewik Hindemith, in one of his earlier and lighter moods, wrote two ironic little suites for small ensembles, called them "Little Chamber Music, No. 1 and 2." No. 2, for flute, oboe, clarinet, horn and bassoon, is deftly tootled by a new group of Holly-woodmen...
Last week Alec Templeton Time (NBC-Red) was the up-and-comer of the new 1939 radio shows. In two months it had won some 6,000,000 listeners. Blind, brilliant Alec Templeton's charm is no secret; his musical lampoons spare nobody, from his keyboard come chuckles for all. Once he put on an accent like Music Master Walter Damrosch's, piano-lectured theme by theme on Three Little Fishies. He embroiders five-note themes tossed up by audiences until they sound like Wagner. His Bach Goes to Town, a swing classic, is now part...