Word: new
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Dates: during 1990-1999
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...need not choose between these visions. Both are true. Both are untrue. What we need to do is wonder at how firmly this brief, incredibly fecund period set the terms of the cultural argument that would preoccupy the rest of the century. The shock of the new drew much of its reshaping, revolutionary force from frustration with outworn artistic conventions and had been gathering strength and energy out of repression and dismissal for at least 50 years...
Perhaps that's because the universalist desire to reform all culture, make everyone see in a new way, is dead. What's true of literature is true of all the arts now: there are readers of J.M. Coetzee's Disgrace, there are Michael Crichton's readers, and the twain don't meet. Except, possibly, theoretically in cyberspace. F. Scott Fitzgerald had it right: "Culture follows money." And the money--perhaps even the creative zeal--is now in the new media. A radically reshaped culture is beginning to be created there. We can already begin to see what the generation born...
Peeping warily into the new century, the cultural traditionalist (anyone over the age of 40) feels like saying, with Estragon in Waiting for Godot, "I can't go on like this." He forgets the brave and cheeky response Samuel Beckett, last of the classic modernists, gave to Vladimir: "That's what you think...
...appropriate. His chroniclers lauded his ability to "appraise the true significance of events" and make good "the fickle promises of fortune." They also remarked that he was "too relentless to care though all might hate him." William the Conqueror was a man--or, more important, a monarch--for a new...
Both Saddam Hussein and Hafez Assad have at times invoked Saladin against Israel, the new "crusader." However, they seem unlikely to attain either the military triumph that safeguarded one world or the nobility that endeared him to another...