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Ensor drew lessons in form and color from Turner, Courbet and Manet, but the spirit of his work, the mad afflatus of his gift, owes more to the Germans. His devils are inherited from Bosch and Brueghel. His taste for the grotesque traces back to Grünewald. He, in turn, would hand on his caustic vision of humanity to the German Expressionists, younger artists like Emil Nolde and Ernst Kirchner who saw the possibilities in his combination of sour disposition and strident palette...

Author: /time Magazine | Title: Skull and Bones: The Haunted Art of James Ensor | 7/27/2009 | See Source »

...Erika Rothenberg created an acrylic in 1982 called Pushing the Right Buttons, a painting of two buttons, the one on top labeled "Launch" and the one beneath it "Lunch." Alex Grey, in 1980, painted Nuclear Crucifixion, an oil on linen reminiscent of Matthias Grünewald's painting in the 16th century, except here Jesus is crucified in a mushroom cloud. Michael Smith and Alan Herman produced a mixed-media work in 1983 called Government Approved Home Fallout Shelter Snack Bar, a survivalist food counter for the prudent nuclear family, equipped with provisions and three stools. In 1981 Robert Morris created...

Author: /time Magazine | Title: What the People Saw: A Vision of Ourselves | 4/12/2005 | See Source »

...part in the operatic literature. The saint appears in seven of the eight tableaux and does much, if not most, of the singing in each. At the composer's request, Giuseppe Crisolini-Malatesta based the sets and costumes on paintings by Fra Angelico, Giotto and Matthias Grünewald. As staged by Sandro Sequi, scenes are played in small, diorama-like boxes to emphasize the work's distant, legendary quality. The only serious dramatic defect is the sixth scene, the sermon to the birds, which was intended to be the high point. What was supposed...

Author: /time Magazine | Title: Music: Let the Secrets of Glory Open | 12/12/1983 | See Source »

...worked in Germany, France, Switzerland, Italy and, especially, England. His work, despite its powerful integrity of style, was open to all kinds of influence: portrait proto types ranging from Leonardo to Titian, the work of the Fontainebleau mannerists, Quinten Massys, English court miniaturists, Darer and Mathi as Grünewald. It seems to range backward and forward in time, a web of discreet allusions that seldom rise to open quotation. Thus in drawing Cecily Heron, the youngest daughter of Sir Thomas More, Holbein selected the pose of another woman with the same first name, Cecilia Gallerani, the model for Leonardo...

Author: /time Magazine | Title: Art: Clear Eye, Flawless Touch | 6/20/1983 | See Source »

...terrorists-and surprised a gang of car thieves. At a roadblock in Hildesheim, a town 18 miles outside Hannover, police searched a car and found wigs, rubber masks and two pistols; the occupants confessed they were on their way to rob a bank. In the fashionable Grünewald section of West Berlin, a brothel operator griped about a sudden shortage of customers: "Clients don't like it when the place is crawling with cops. The girls are getting lonely...

Author: /time Magazine | Title: EUROPE: Attacking the Terrorists | 11/21/1977 | See Source »

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