Word: neway
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...Maria Golovin closed after five performances, but it has already been recorded by RCA Victor, and NBC intends to produce it on television, which may provide a better setting for the work's small-screen passions. Golovin's best feature: its cast, including Franca Duval, Patricia Neway and the bass-baritone find of the year, 22-year-old Richard Cross, who left college (Iowa's Cornell) only 18 months ago, but sings Donato with power and conviction...
...role of Magda was played by Patricia Neway, who won awards for it six years ago in New York. She is a superb actress as well as a consummate singer, and I found her performance here even more exalted than on Broadway. All the other singers were fine, notably Norman Adkins, Ruth Kobart, Lydia Summers and Leon Lishner. Chandler Cowles' staging was first-rate; and Evan Whallon's handling of the orchestra was expert, except for letting the piano play too loudly...
...title role, Rosenstock borrowed Baritone Marko Rothmuller, a onetime Berg pupil, from London's Covent Garden (from which he also borrowed the English translation). Rothmuller was a sympathetic character as the cloddish, hallucinated soldier, but vocally he turned out to be a bellower. Soprano Patricia (The Consul) Neway was miscast as Marie: she was more of a heart-wringing Tosca than the faithless tart she was supposed to be, and she screeched in her attempt to be heard over the orchestra...
...number we shall rehearse, (Der Wein, by Albert Berg) is a group of sonnets about wine. In it, wine sings--in German, of course--as the first person: I comfort you, I fill your stomach, and so on." He then introduced the Wine, a black-haired soprano named Patricia Neway, who had poured herself into a black turtle-neck dress for the occasion...
Eschewing a baton and beating time heavily with his foot, Bernstein lead the orchestra and Miss Neway through the wandering atonalities of Der Wein. At one point he clapped his hands to stop the Orchestra and called Miss Neway to the podium for a discussion. After mulling over the score for a minute or two, Bernstein turned and told the audience, "If this passage has been unintelligible to you, I can tell you that it was the preceding passage--backwards. We shall play it for you again, just to give you another chance...