Search Details

Word: newe (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
Sort By: most recent first (reverse)


Usage:

...William never forgot the charms of the forbidden viola. Years later, in Brussels, when his teacher, the late great violinist and tosspot Eugene YsaŸe, told William he had special aptitude for the viola, he switched to it for life. In 1937, when NBC officials were recruiting their new NBC Symphony, they heard a phonograph record of Violist Primrose playing a Paganini caprice. Never had they heard or heard tell of such fast & fluent viola playing, at first thought some super-brilliant violinist like Jascha Heifetz had made the record under an assumed name. They telegraphed Primrose, then...

Author: /time Magazine | Title: Music: Viola and Primrose | 11/27/1939 | See Source »

...mixers, get themselves a few singable tunes. Since then, presumably, the party line in musical Russia has been all nightingale and lark. But because the machinery of the Soviet Musical Bureau (which owns all manuscripts, controls all performance rights) needs oil in its joints, not many examples of this New Musical Policy have been heard outside Russia...

Author: /time Magazine | Title: Music: Soviet Overture | 11/27/1939 | See Source »

Last week a few lark-notes of new-style Russian music were heard in the U. S.: the overture to an opera, Gulsara, by Reinhold Moritzovich Gliere, veteran Soviet composer and professor at the Moscow Conservatory. No streamlined Eastern orchestra gave it its first U. S. hearing, but the wide-awake, six-year-old Kansas City Philharmonic under cigar-puffing U. S. Conductor Karl Krueger. Conductor Krueger's first cellist, Frank Sykora, onetime pupil of Composer Gliere, had wangled the manuscript out of Russia. An audience of 2,500 Kansas Citizens turned out to hear the overture, and agreed...

Author: /time Magazine | Title: Music: Soviet Overture | 11/27/1939 | See Source »

...Picasso's effect on the future will be, no one yet can say. Doubtless he is content to have provided so many possible breaks with the past. "In the old days," he told a disciple in 1935, "pictures went forward toward completion by stages. Every day brought something new. A picture used to be a sum of additions. In my case a picture is a sum of destructions. I do a picture-then I destroy it. In the end, though, nothing is lost: the red I took away from one place turns up somewhere else...

Author: /time Magazine | Title: Art: Protean Pablo | 11/27/1939 | See Source »

First rescuer to arrive when Mrs. Johnson's plight was duly blazoned forth to the nation was not a feminist but Congressman Sol Bloom of New York. He had the heat turned on in her studio, food brought in, eviction proceedings stopped. Mrs. Johnson, whose onetime husband changed his name from Jenkins to Johnson as a wedding present to her, graciously accepted his aid. Other offers of help poured in, headed by $1,000 from a "nameless registered nurse." Heartened, the indomitable Mrs. Johnson made a promise. "I'm good for another 20 years. I'll continue...

Author: /time Magazine | Title: The Theatre: Statue Smasher | 11/27/1939 | See Source »

Previous | 89 | 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | 107 | 108 | 109 | Next