Word: newe
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Dates: during 1940-1949
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Manhattan's bustling little City Opera Co. (TIME, Nov. 3, 1947 et seq.) proved it knew how to give the classics a new shine. Last week it was the turn of City Opera's bright young sister outfit, the City Ballet Co., to show it could do the same with the dance...
...sets, and the audience gasped with pleasure. The brilliant red-and-blue sets, commissioned four years ago by Impresario Sol Hurok for Ballet Theatre, had been picked up by low-budget City Center at cut-rate. But the sets, gay though they were, were the oldest feathers on the new Firebird...
Diagonal Demons. From the pit, Igor Stravinsky's 40-year-old score blazed as never before: Stravinsky himself had cut down the instrumentation from the original no pieces to 55, given the score new warmth, color and compactness. Choreographer George Balanchine had scrapped Fokine's original Russian-folk-dancy choreography completely, put his more Oriental Bird and Prince on more acrobatic tiptoe...
...Manhattan Tax Lawyer Morton Baum, chairman of City Center's executive committee (and a director of the Metropolitan Opera as well), the enthusiasm seemed to justify a little spreading out. This season Balanchine was able to add to his repertory four ballets, including Firebird and a smashing new Bourèe Fantasque premièred later in the week...
...Real American." Now that he has a permanent home in which he can polish old works and plan new ones, Russian-born Choreographer Balanchine, a U.S. citizen for ten years, hopes he is on the road to a permanent American ballet company, something like Britain's national ballet, the Sadler's Wells (TIME, Oct. 17). One step in the direction of making it a "real American" ballet was the addition to the staff this season of bright, witty, U.S.-born Choreographer Jerome (Fancy Free) Robbins...