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...president of Bennington College, and veteran Guidebook Author Gene R. Hawes, the book is an intellectual Whitman's Sampler. The reading lists have been approved by some 20 professors at leading colleges. Their fields range from such traditional disciplines as art history, English literature and mathematics to such newer areas as film, black American history and women's studies. Sample topics: Oceanic art, the Gilded Age, psychosis...

Author: /time Magazine | Title: Education: Handy Guide for The Autodidact | 4/10/1978 | See Source »

...image of Mammy? Of Aunt Jemima?) Why are black families so often shown to be in screaming turmoil, the air bruised with insults? Why are there not black images of success through education and accomplishment, instead of the old Amos 'n' Andy routines of chicanery or the newer, grittier pimp-flash and hustle...

Author: /time Magazine | Title: Time Essay: Blacks on TV: A Disturbing Image | 3/27/1978 | See Source »

...Labor Department's 360 price inspectors (all but a handful of whom are housewives) had been checking the prices of some products that hardly anyone buys any more: pedal pushers, garter belts, bobby pins. Such obsolete articles were thrown out of the 400-item market basket and many newer ones substituted. The BLS shoppers will now price, for example, joggers' warmup suits, pocket calculators, birth control pills and wine...

Author: /time Magazine | Title: Business: Gauging Prices--and Spending | 3/13/1978 | See Source »

...festival is given to New Orleans by a series of "krewes"--private social groups that exist solely to finance and put on Mardi Gras. Some of the newer krewes are commercial in nature. They bring in celebrities to host their parades and balls. Others represent local interests. Tulane University students, for instance, have their own "Krewe of Tuck," and members of New Orleans's black community, who participate in the more traditional parades only as "flambeaux" (torch carriers), put on an elaborate "Zulu" parade and ball...

Author: By Jon Alter, | Title: Where the People Sing and Play Mardi Gras | 3/6/1978 | See Source »

Although the instrumentation succeeds in Mitchell's newer, freer style, many of the songs on Don Juan's Reckless Daughter do not. The general rule in any style of musical composition seems to be that the less apparent the structure of a work, the more underlying framework and discipline it requires if it is to be interesting, or even approachable. Admittedly, this rule is not universal. But in Don Juan's Reckless Daughter, like Hejira before it, Mitchell is reckless. The album lacks discipline, and suffers...

Author: By Peter R. Melnick, | Title: Angels and Devils | 2/7/1978 | See Source »

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