Word: newman
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Dates: during 1960-1969
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...Only a cut above the amateur" was British Critic Ernest Newman's scornful evaluation of Czech Composer Leoš Janáček in a 1924 review of the opera Jenufa. "Atrocious drama and wretched theater," complained a New York Times critic after a 1931 performance of From the House of the Dead. Through years of such disasters,Janáček (pronounced Ya-na-chek) remained a proud, angry man who longed desperately for recognition and stubbornly believed that his peculiar brand of musicmaking would be vindicated. Now, four decades after his death, the often maligned composer...
...international shysters (Yul Brynner, Paul Henreid,* Charles Boyer, Donald Pleasence and Oscar Homolka among them) who have discovered oil under the old lady's property. But she will not be moved, and she wins the aid of some colorful companions-a ragpicker (Danny Kaye), a waitress (Nanette Newman) and a young student activist (Richard Chamberlain). In the end, she overcomes, imprisoning the villains in the Parisian sewer system and striking a blow for liberty...
...Center is not-despite an incorrect report in yesterday's CRIMSON-the result of the Rosovsky Report's recommendation for a "Center or Institute of Afro-American Studies." Rather, the Center grew out of the Report's endorsement of a cultural center for black students, modeled after the Catholic Newman Center or Hillel House...
Joseph Cornell, in a rejection of the big, the bold, the conventionally beautiful, cultivated a secret garden of everyday artifacts. The melancholy strain resurfaces in George Segal's Gas Station and Andy Warhol's photomontage of an electric chair. Even in a painting like Barnett Newman's Anna's Light, for all the persuasive warmth in which it wraps the spectator, nothing can alter the fact that there is only emptiness on Newman's horizon...
...about American art in recent years. Geldzahler's decision to devote whole rooms to single artists of his choice rather than include everybody results in a perspective that he himself probably did not anticipate. In the Met's vast spaces, Adolph Gottlieb, Robert Motherwell and even Barnett Newman wither. But the works of Ad Reinhardt, Hans Hofmann and Helen Frankenthaler take on new authority. The show's most serious deficiency is in sculpture, and Geldzahler admits that, with the exception of David Smith's towering talent, his choices were geared to what would look well with...